DIVThis inspiring sketchbook is part of the new20 Waysseries from Quarry Books, designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun. Each spread features 20 inspiring illustrated examples of 45 themes - tree, tulip, shell, owl, peacock feather, mushroom, cloud,and much, much more–over 900 drawings, with blank space for you to draw your take on 20 Ways to Draw a Tree./divDIVThis is not a step-by-step technique book--rather, the stylized flowers, trees, leaves, and clouds are simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. Presented in the author’s uniquely creative style, this engaging and motivational practice book provides a new take on the world of sketching, doodling, and designing. /divDIVGet out your favorite drawing tool, and remember, there are not just20 Ways to Draw a Tree!/div

Infinite Possibilities offers new perspectives on the phenomenon of seriality in the medium of drawings and the visual arts. It includes drawings from the 1960s to the present by 29 artists from Japan, South America, the United States, and Europe. Whether looking at serial images in historical, political, mathematical, philosophical, or theoretical perspectives, Infinite Possibilities is a remarkable discourse on a fundamental aspect of contemporary artistic creativity. The artists included range from the emerging to the canonical; among them are Jennifer Bartlett, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Gloria Ortiz-Hernandez, Richard Serra, and Tony Smith.

A landmark publication documenting the development of performance by visual artists since the turn of the twenty-first century This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium. Performance Now offers an unprecedented illustrated survey of this temporal medium which is notoriously hard to document, written by respected curator, art historian, and critic RoseLee Goldberg. Six chapters cover different themes of performance art, such as beauty, global citizenship, and activism, as well as its intersection with other media including film and technology, dance, theater and architecture—interspersed with illustrated profiles of some of the world’s best-known performance artists, including Marina Abramovic, Matthew Barney, and Laurie Simmons. Extended captions assess the importance of specific works in context. At once a wonderful introduction to the medium and a must-have sourcebook for fans, Performance Now is the go-to reference for artists, students, and historians as well as lovers of avant-garde theater and film.

This awesome sketchbook four volumes of the 20 Ways series and smashes them together into one, massive, how-to guide!

Robyn O'Neil: 20 Years of Drawings, is the first major monograph published of the artist's work and offers a brilliantly detailed look at the foundation laid by her earliest drawings, the evolution of her hand and the epic works that have defined her career. This collection of over 100 images is accompanied with an essay by curator Alison de Lima Greene who offers extraordinary insight into both the artist's life and work. "O'Neil enlarges both the physical scale of her work, and the internal dynamics of her drawing by pitting her increasingly small figures against a vast panorama. At the same time, she plays with Western perspectival conventions, using empty expanses of paper to stack space in the manner of Chinese scroll paintings. Each area of the landscape is punctuated by vignettes, ranging from two figures standing before a dead deer to vast assemblies. That this is ultimately a battle of man against man, rather than man against nature, is hinted at by the squadron of World War II bomber planes that sweep down from the central mountain gap."

The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.