Twenty Centuries of Christian Worship is a valuable resource for exploring the richly textured worship heritage of the Christian church. It is at once broad and specific, with a clarity of focus that challenges readers to understand the present by looking at the past and to think critically but sensitively about why and how Christians worship. Edith Blumhofer, Executive Director, Institute for the Study of American Evangelicals

An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.

This work addresses worship themes developed in both the Old and New Testaments in four separate parts: an introduction to worship in the Bible, focusing on both the Hebrew tradition and the primitive Christian Church; a survey of the history and institutions of Biblical Worship, specifically the Tabernacle, the Synagogue, and the New Testament Church; the Biblical role of festivals in worship; music and the arts in worship.

Christianity Today 2023 Book Award Finalist (History & Biography) New forms of worship have transformed the face of the American church over the past fifty years. Drawing on a wide range of primary sources, including interviews with dozens of important stakeholders and key players, this volume by two worship experts offers the first comprehensive history of Contemporary Praise & Worship. The authors provide insight into where this phenomenon began and how it reshaped the Protestant church. They also emphasize the span of denominational, regional, and ethnic expressions of contemporary worship.

"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.

"The opening section of "Music and the Arts in Christian Worship" offers an overview of the current worship practices of most of the major denominations in this country, each prepared by a person active in that particular church. Read individually, they furnish a wealth of fresh ideas; collectively, they give evidence that, while each denomination remains theologically focused on its tradition and centers its worship on the familiar, there is hardly one which is not actively re-examining its worship philosophy and experimenting with new forms, music, and visual art. Style is becoming more and more eclectic, and there is a healthy regard for the special contribution that every individual may make. Worship, once almost the property of the officiating clergyman rigorously hewing to a prescribed pattern, has rightly become the responsibility of every person." " Philip Beggrov Peters, Professor Emeritus, University of Michigan

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.