Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

In The Rose Rustlers, Greg Grant and William C. Welch offer a personal, in-depth, and entertaining account of some of the great stories gathered during their years as participants in one of the most important plant-hunting efforts of the twentieth century—the quest to save antique roses that disappeared from the market in a notoriously trend-driven business. By the 1950s, almost exclusively, modern roses (those with one compact bloom at the top of a large stem) were grown for the cut-flower market. The large rounded shrubs and billowy fence climbers known to our grandparents and great-grandparents in the nineteenth and early twentieth centuries had been reduced to this rather monotonous single style of plant. Yet those roses of old still grew, tough and persistent, in farmyards, cemeteries, vacant lots, and abandoned fields. The rediscovery of these antiques and the subsequent movement to conserve them became the mission of “rose rustlers,” dedicated rosarians who studied, sought, cut, and cultivated these hardy survivors. Here, the authors chronicle their own origins, adventures, and discoveries as part of a group dubbed the Texas Rose Rustlers. They present tales of the many efforts that have helped restore lost roses not only to residential gardens, but also to commercial and church landscapes in Texas. Their experiences and friendships with other figures in the heirloom rose world bring an insider’s perspective to the lore of “rustling,” the art of propagation, and the continued fascination with the world’s favorite flower.

An exquisite look into the legacy of the rose at the House of Dior, from Christian Dior’s early passion for gardening to contemporary floral-inspired designs. Christian Dior discovered gardening at his childhood home in Granville, France. Roses profoundly influenced the designer, especially with his famous New Look aesthetic, where they were placed beneath the iconic corolla symbol. Published on the occasion of the exhibition at the Musée Christian Dior in Granville, this volume explores the rose’s importance in Dior’s history. The inspiration for Christian Dior’s flowery vision of femininity runs deep throughout the House’s collections; reinventions by subsequent artistic directors pay homage to Dior’s wish to design dresses for “flower-like women.” A focus on a new variety of rose, the Rose de Granville, underscores the perennial significance of the rose today—from inspiring Haute Couture creations to perfume making. This fascinating immersion in Dior’s universe continues with texts by experts Éric Pujalet-Plàa, Vincent Leret, and Brigitte Richart, accompanied by sublime photographs, including shots by the most acclaimed twentieth-century masters as well as contemporary photography.

Winner of the Western History Association’s Robert G. Athearn Award for outstanding book on the twentieth-century American West Just before dawn on July 16, 1945, the world’s first nuclear bomb was detonated at Trinity Site in an isolated stretch of the central New Mexico desert. It may have been the single most important event of the twentieth century. The Day the Sun Rose Twice tells the fascinating story of the events leading up to this first test explosion, the characters and roles of the people involved, and the aftermath of the bomb’s successful demonstration. With J. Robert Oppenheimer, the “father of the atomic bomb,” at last getting his Hollywood close-up in Christopher Nolan’s new blockbuster film Oppenheimer, readers can discover the background behind the world’s first atomic blast in Ferenc Morton Szasz’s award-winning history. “Tightly focused, lucidly written, and thoroughly researched,” according to the New York Times Book Review, the book provides “a valuable introduction to how our nuclear dilemma began.”

During the late nineteenth and early twentieth centuries, Americans with all sorts of disabilities came to be labeled as "unproductive citizens." Before that, disabled people had contributed as they were able in homes, on farms, and in the wage labor market, reflecting the fact that Americans had long viewed productivity as a spectrum that varied by age, gender, and ability. But as Sarah F. Rose explains in No Right to Be Idle, a perfect storm of public policies, shifting family structures, and economic changes effectively barred workers with disabilities from mainstream workplaces and simultaneously cast disabled people as morally questionable dependents in need of permanent rehabilitation to achieve "self-care" and "self-support." By tracing the experiences of policymakers, employers, reformers, and disabled people caught up in this epochal transition, Rose masterfully integrates disability history and labor history. She shows how people with disabilities lost access to paid work and the status of "worker--a shift that relegated them and their families to poverty and second-class economic and social citizenship. This has vast consequences for debates about disability, work, poverty, and welfare in the century to come.

Selected by Choice magazine as an Outstanding Academic Title Nowhere in the world is there a greater concentration of significant skyscrapers than in New York City. And though this iconographic American building style has roots in Chicago, New York is where it has grown into such a powerful reflection of American commerce and culture. In Skyscraper: The Politics and Power of Building New York City in the Twentieth Century, Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He demonstrates how architects and their clients employed a diverse range of modernist styles to engage with and influence broader cultural themes in American society: immigration, the Cold War, and the rise of American global capitalism. Skyscraper explores the various wider meanings associated with this architectural form as well as contemporary reactions to it across the critical spectrum. Employing a broad array of archival sources, such as corporate records, architects' papers, newspaper ads, and political cartoons, Flowers examines the personal, political, cultural, and economic agendas that motivate architects and their clients to build ever higher. He depicts the American saga of commerce, wealth, and power in the twentieth century through their most visible symbol, the skyscraper.