Nineteen contributors from the humanities and social sciences present essays exploring the myth of Narcissus, and the formation of theories based on this myth. Topics include the origin of the myth; variations of the myth; works of art inspired by the myth; the application of the myth to various social phenomena, literary works, and films; what the myth suggests about the relationship between self and others; and the transference of the myth from the individual level to the collective group. Spaas teaches French cultural studies at Kingston U. c. Book News Inc.

Daughter of Narcissus is a stunning analysis by Lady Colin of her own dysfunctional family positioned at the heart of upper class Jamaican society from the middle of the 20th century to the present day. Covering the end of the British Colonial Age and the rise of a liberated generation, whilst addressing the narcissistic personality of her mother, the author brilliantly interconnects the sociological, political and personal. As she dissects the family dynamics lying beneath the appearance of wealth and power, Lady Colin's understanding of personality disorder is revelatory: compelling the reader to comprehend the destructive and tragic reality concealed by rational language and behaviour. Set against a backdrop of glamour, wealth and fame, this compulsive book is both a fascinating history of one socially prominent family, and a uniquely detailed analysis of narcissism, its manifestations and how to survive them in order to lead a purposeful and affirming life.

This publication, which accompanies the exhibition 'Narcissus Reflected' at The Fruitmarket Gallery, Edinburgh, explores the myth of Narcissus in Surrealist and contemporary art.

This book explores the great influence of twentieth-century artists and art movements on many major writers of the twentieth century. It focuses in particular on four seminal writers who were strongly influenced by very different movements: they are Gertrude Stein and Cubism, William S. Burroughs and Dada, J. G. Ballard and Surrealism, and Douglas Coupland and Pop Art. For these authors the presence and influence of these art movements is not limited to a small cluster of texts, but can be felt much more expansively across their work, infiltrating all manner of multifarious and complex dimensions. These authors are all keen to explore new methods of shifting the signature styles and forms of visual art into the literary world. Alongside these more overt methods of artistic transposition, the authors also often demonstrate a deep philosophical affinity with their chosen movements. This book uproots and examines these kinds of artistic engagements, and also explores the authors’ own personal connections with the world of art. For these are all authors not only interested in visual art, but also intimately connected to the art world. Indeed, some went on to become renowned artists in their own right, while others were closely associated with major historical art figures. Above all however, they are unified by a kindred interest in exploring how the methods and philosophies of art can be transposed into, and even challenge the constraints of traditional forms of literature.

"Narcissus and Goldmund "is the story of a passionate yet uneasy friendship between two men of opposite character. Narcissus, an ascetic instructor at a cloister school, has devoted himself solely to scholarly and spiritual pursuits. One of his students is the sensual, restless Goldmund, who is immediately drawn to his teacher's fierce intellect and sense of discipline. When Narcissus persuades the young student that he is not meant for a life of self-denial, Goldmund sets off in pursuit of aesthetic and physical pleasures, a path that leads him to a final, unexpected reunion with Narcissus.