Mexican presidents Lázaro Cárdenas (1934–1940) and Luis Echeverría (1970–1976) used populist politics in an effort to obtain broad-based popular support for their presidential goals. In spite of differences in administrative plans, both aimed to close political divisions within society, extend government programs to those on the margins of national life, and prevent foreign ideologies and practices from disrupting domestic politics. As different as they were in political style, both relied on appealing to the public through mass media, clothing styles, and music. This volume brings together twelve original essays that explore the concept of populism in twentieth century Mexico. Contributors analyze the presidencies of two of the century’s most clearly populist figures, evaluating them against each other and in light of other Latin American and Mexican populist leaders. In order to examine both positive and negative effects of populist political styles, contributors also show how groups as diverse as wild yam pickers in 1970s Oaxaca and intellectuals in 1930s Mexico City had access to and affected government projects. The chapters on the Echeverría presidency are written by contributors at the forefront of emerging scholarship on this topic and demonstrate new approaches to this critical period in Mexican history. Through comparisons to Echeverría, contributors also shed new light on the Cárdenas presidency, suggesting fresh areas of investigation into the work of Mexico’s quintessentially populist leader. Ranging in approach from environmental history to labor history, the essays in this volume present a complex picture of twentieth century populism in Mexico.

In this dazzling multidisciplinary tour of Mexico City, Mauricio Tenorio-Trillo focuses on the period 1880 to 1940, the decisive decades that shaped the city into what it is today. Through a kaleidoscope of expository forms, I Speak of the City connects the realms of literature, architecture, music, popular language, art, and public health to investigate the city in a variety of contexts: as a living history textbook, as an expression of the state, as a modernist capital, as a laboratory, and as language. Tenorio’s formal imagination allows the reader to revel in the free-flowing richness of his narratives, opening startling new vistas onto the urban experience. From art to city planning, from epidemiology to poetry, this book challenges the conventional wisdom about both Mexico City and the turn-of-the-century world to which it belonged. And by engaging directly with the rise of modernism and the cultural experiences of such personalities as Hart Crane, Mina Loy, and Diego Rivera, I Speak of the City will find an enthusiastic audience across the disciplines.

Mexico is currently undergoing a crisis of violence and insecurity that poses serious threats to democratic transition and rule of law. This is the first book to put these developments in the context of post-revolutionary state-making in Mexico and to show that violence in Mexico is not the result of state failure, but of state-making. While most accounts of politics and the state in recent decades have emphasized processes of transition, institutional conflict resolution, and neo-liberal reform, this volume lays out the increasingly important role of violence and coercion by a range of state and non-state armed actors. Moreover, by going beyond the immediate concerns of contemporary Mexico, this volume pushes us to rethink longterm processes of state-making and recast influential interpretations of the so-called golden years of PRI rule. Violence, Coercion, and State-Making in Twentieth-Century Mexico demonstrates that received wisdom has long prevented the concerted and systematic study of violence and coercion in state-making, not only during the last decades, but throughout the post-revolutionary period. The Mexican state was built much more on violence and coercion than has been acknowledged—until now.

The 2,000-mile-long international boundary between the United States and Mexico gives shape to a unique social, economic, and cultural entity. David Lorey here offers the first comprehensive treatment of the fascinating evolution of the region over the past century. Exploring the evolution of a distinct border society, Lorey traces broad themes in the region's history, including geographical constraints, boom-and-bust cycles, and outside influences. He also examines the seminal twentieth-century events that have shaped life in the area, such as Prohibition, World War II, and economic globalization. Bringing the analysis up to the present, the book considers such divisive issues as the distinction between legal and illegal migration, trends in transboundary migrant flows, and North American free trade. Informative and accessible, this valuable study is ideal for courses on the U.S.-Mexico borderlands, Chicano studies, Mexican history, and Mexican-American history.

The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution.

Based on six years of research, including interviews with leading Mexican entrepreneurial and political leaders and the assessment of hitherto unavailable materials, this work focuses on the complex political relationship between the Mexican state and leading businessmen from the 1920s to the present. Analyzing nearly 3000 biographies to compare Mexico's two leading competitors for political power, the author uses a humanistic approach to test a number of assumptions about the relationship between the business community and the state and provides new insights into the existence of a power elite, the exchange between economic and political leaders, the self-image of Mexican entrepreneurs, the position of family-controlled firms, and the influence of capitalists on the decision-making process. Camp also provides detailed information on the ownership of Mexico's top 200 firms, including names of stockholders, board members, and managers.

Caciquismo - roughly translated as 'boss politics' - has played a major role in both Mexican political and social life. This book looks at the crucial role of the cacique in modern Mexico, suggesting that, despite years of change and upheaval, it remains an important feature of Mexican politics.