Readers may be surprised to learn that this protest begins with the following statement: “If you are called for jury duty, and are reasonably able to serve, it is important that you support your fellow Americans by serving to the best of your ability and with complete honesty, even if serving is inconvenient or unpleasant.” Having said that, the premise of the protest is as follows: America’s jury duty system, much like American society in general, has degraded to the point where it is essentially defunct. The system (i.e., summoning random citizens to appear in court) is essentially the same as it has always been, yet over the course of just the last 50 years, American society and the average American citizen have completely changed. By any reasonable standard, America has become a completely new country, and its citizens have devolved into a less advanced species. The majority of people summoned for jury duty are not qualified to serve—at least not by any reasonable standard. Being the proverbial “warm body” (albeit one who is a non-felon American citizen and at least 18 years old) is not sufficient. At minimum, a juror must be able to completely understand everything that transpires in a case, and be intellectually capable of doing more than simple keyword matching. Compliance with juror summonses is low. Some are wastefully sent to people who have moved or are deceased, but the concern is that many people toss their summonses in the garbage while likely thinking, “I never got it. I never signed for it. It wasn’t sent with delivery confirmation. They can’t prove anything. Let’s see them waste their limited budget to come after me.” Even though the overwhelming majority of court cases are not handled by a jury, we can’t have a system in which criminals are set free because they were entitled to a trial by a jury of their “peers,” but no such people were available. We also can’t have a system in which people who have been falsely accused of wrongdoing are left with no other option than to plead their case to a judge. If someone mentions the phrase “jury duty” at a social gathering, many people chime in with “horror stories” (perhaps secondhand) about bad experiences, and share excuses and tactics they’ve used (or have heard were used) to get out of attending or serving on a given case. Some people are uncomfortable deciding whether to sentence a potentially innocent person to a long, harsh prison term (if not death), or awarding a large sum of money in a civil case. Others have anxiety about the logistics or financial ramifications of serving, and are concerned about losing their job, being punished by their employer, or falling behind on work. For the self-employed or unemployed, the concern may be lost wages or opportunities. The book includes sections addressing the minimum age and education level required of jurors, volunteering for service, references to religion in courthouses, jury nullification, plea bargaining with alleged criminals without juror approval, grand jury duty, mandatory jury service, the juror handbook, juror safety, the penalty for perjury, jury duty scams, a list of things the government can do to improve juror turnout, and a list of reasons why people are giving up on America’s justice system. Jury duty was, is, and hopefully always will be integral to America's system of justice. Having said that, our current system has become horribly outdated, and a great deal of change is needed. Hopefully, this book will serve as a model of how someone can express his/her viewpoints on a matter in a non-violent, non-destructive, and non-disruptive manner. The power to change laws, policies, and the collective consciousness of The People is best accomplished through the written or spoken word, and as a last resort, through non-violent, non-destructive, and non-disruptive demonstrations or acts of civil (as in “civilized”) disobedience and resistance.

“In rich, evocative prose, Marion transports his readers back into the postapocalyptic parable he first brought to life—or death—in his brilliant debut Warm Bodies.” —Library Journal (starred review) “Refreshingly unique...I love this novella.” —LitStack The must-read prequel to the “highly original” (The Seattle Times) New York Times bestseller Warm Bodies—now a major motion picture—from the author whose genre-defying debut turned the classic horror story on its head. The end of the world didn’t happen overnight. After years of societal breakdowns, wars and quakes and rising tides, humanity was already near the edge. Then came a final blow no one could have expected: all the world’s corpses rising up to make more. Born into this bleak and bloody landscape, twelve-year-old Julie struggles to hold on to hope as she and her parents drive across the wastelands of America, a nightmarish road trip in search of a new home. Hungry, lost, and scared, sixteen-year-old Nora finds herself her brother’s sole guardian after her parents abandon them in the not-quite-empty ruins of Seattle. And in the darkness of a forest, a dead man opens his eyes. Who is he? What is he? With no clues beyond a red tie and the letter “R,” he must unravel the grim mystery of his existence—right after he learns how to think, how to walk, and how to satisfy the monster howling in his belly. The New Hunger is a crucial link between Warm Bodies and The Burning World, a glimpse into the past that sets the stage for an astonishing future.

NEW YORK TIMES BESTSELLER, NOW A MAJOR MOTION PICTURE “Gruesome yet poetic…highly original.” —The Seattle Times “Dark and funny.” —Wired “A mesmerizing evolution of a classic contemporary myth.” —Simon Pegg “A strange and unexpected treat…elegantly written, touching, and fun.” —Audrey Niffenegger, author of The Time Traveler’s Wife “Has there been a more sympathetic monster since Frankenstein’s?” —Financial Times In Warm Bodies, Isaac Marion’s New York Times bestselling novel that inspired a major film, a zombie returns to humanity through an unlikely encounter with love. This special five-year anniversary edition includes the powerful prequel novella, The New Hunger, which sheds light on the saga’s past while setting the stage for its epic conclusion. “R” is having a no-life crisis—he is a zombie. He has no memories, no identity, and no pulse, but he is a little different from his fellow Dead. He may occasionally eat people, but he’d rather be riding abandoned airport escalators, listening to Sinatra in the cozy 747 he calls home, or collecting souvenirs from the ruins of civilization. And then he meets a girl. First as his captive, then his reluctant house guest, Julie is a blast of living color in R’s gray landscape, and something inside him begins to bloom. He doesn’t want to eat this girl—although she looks delicious—he wants to protect her. But their unlikely bond will cause ripples they can’t imagine, and their hopeless world won’t change without a fight. Together, Warm Bodies and The New Hunger form a richly layered tale of love and hope in the darkest of times, while also opening the doors to an epic saga that continues with The Burning World, an excerpt of which is included in this edition for current fans and newcomers alike.

R is a young zombie with an existential crisis. He shuffles through an America destroyed by war, social collapse, and mindless hunger, but he craves something more than blood and brains. After experiencing a teenage boy's memories while consuming his brain, R makes an unexpected choice that begins a tense, awkward, and strangely sweet relationship with the victim's human girlfriend, Julie.

Over the last several decades, employers have increasingly replaced permanent employees with temporary workers and independent contractors to cut labor costs and enhance flexibility. Although commentators have focused largely on low-wage temporary work, the use of skilled contractors has also grown exponentially, especially in high-technology areas. Yet almost nothing is known about contracting or about the people who do it. This book seeks to break the silence. Gurus, Hired Guns, and Warm Bodies tells the story of how the market for temporary professionals operates from the perspective of the contractors who do the work, the managers who employ them, the permanent employees who work beside them, and the staffing agencies who broker deals. Based on a year of field work in three staffing agencies, life histories with over seventy contractors and studies of workers in some of America's best known firms, the book dismantles the myths of temporary employment and offers instead a grounded description of how contracting works. Engagingly written, it goes beyond rhetoric to examine why contractors leave permanent employment, why managers hire them, and how staffing agencies operate. Barley and Kunda paint a richly layered portrait of contract professionals. Readers learn how contractors find jobs, how agents negotiate, and what it is like to shoulder the risks of managing one's own "employability." The authors illustrate how the reality of flexibility often differs substantially from its promise. Viewing the knowledge economy in terms of organizations and markets is not enough, Barley and Kunda conclude. Rather, occupational communities and networks of skilled experts are what grease the skids of the high-tech, "matrix economy" where firms become way stations in the flow of expertise.

Charlotte Taylor lived in the front row of history. In 1775, at the young age of twenty, she fled her English country house and boarded a ship to Jamaica with her lover, the family’s black butler. Soon after reaching shore, Charlotte’s lover died of yellow fever, leaving her alone and pregnant in Jamaica. In the sixty-six years that followed, she would find refuge with the Mi’kmaq of what is present-day New Brunswick, have three husbands, nine more children and a lifelong relationship with an aboriginal man. Using a seamless blend of fact and fiction, Charlotte Taylor's great-great-great-granddaughter, Sally Armstrong, reclaims the life of a dauntless and unusual woman and delivers living history with all the drama and sweep of a novel. Excerpt from from The Nine Lives of Charlotte Taylor: “Every summer of my youth, we would travel from the family cottage at Youghall Beach to visit my mother’s extended clan in Tabusintac near the Miramichi River. And at every gathering, just as much as there would be chickens to chase and newly cut hay to leap in, so there would be an ample serving of stories about Charlotte Taylor. . . She was a woman with a “past.” The potboilers about her ran like serials from summer to summer, at weddings and funerals and whenever the clan came together. She wasn’t exactly presented as a gentlewoman, although it was said that she came from an aristocratic family in England. Nor was there much that seemed genteel about the person they always referred to as “old Charlotte.” Words like “lover” and “land grabber” drifted down from the supper table to where we kids sat on the floor. There were whoops of laughter at her indiscretions, followed by sideways glances at us. But for all the stories passed around, it was clear the family still had a powerful respect for a woman long dead. We owed our very existence to her, and the anecdotes the older generation told suggested that their own fortitude and guile were family traits passed down from the ancestral matriarch. For as long as I can remember, I’ve tried to imagine the real life Charlotte Taylor lived and, more, how she ever survived.”

One of the most intriguing and engaging voices in contemporary Christianity is that of the Irish poet, Pádraig Ó Tuama and this is his first, long-awaited poetry collection. Hailing from the Ikon community in Belfast and working closely with its founder, the bestselling writer Pete Rollins, Pádraig’s poetry interweaves parable, poetry, art, activism and philosophy into an original and striking expression of faith. Pádraig’s poems are accessible, memorable profound and challenging. They emerge powerfully from a context of struggle and conflict and yet are filled with hope.