In August 1803 two Russian ships, the Nadezhda and the Neva, set off on a round-the-world voyage to carry out scientific exploration and collect artifacts for Alexander I’s ethnographic museum in St. Petersburg. Russia’s strategic concerns in the north Pacific, however, led the Russian government to include as part of the expedition an embassy to Japan, headed by statesman Nikolai Rezanov, who was given authority over the ships’ commanders without their knowledge. Between them the ships carried an ethnically and socially disparate group of men: Russian educated elite, German naturalists, Siberian merchants, Baltic naval officers, even Japanese passengers. Upon reaching Nuku Hiva in the Marquesas archipelago on May 7, 1804, and for the next twelve days, the naval officers revolted against Rezanov’s command while complex crosscultural encounters between Russians and islanders occurred. Elena Govor recounts the voyage, reconstructing and exploring in depth the tumultuous events of the Russians’ stay in Nuku Hiva; the course of the mutiny, its resolution and aftermath; and the extent and nature of the contact between Nuku Hivans and Russians. Govor draws directly on the writings of the participants themselves, many of whom left accounts of the voyage. Those by the ships’ captains, Krusenstern and Lisiansky, and the naturalist George Langsdorff are well known, but here for the first time, their writings are juxtaposed with recently discovered textual and visual evidence by various members of the expedition in Russian, German, Japanese—and by the Nuku Hivans themselves. Two sailor-beachcombers, a Frenchman and an Englishman who acted as guides and interpreters, later contributed their own accounts, which feature the words and opinions of islanders. Govor also relies on a myth about the Russian visit recounted by Nuku Hivans to this day. With its unique polyphonic historical approach, Twelve Days at Nuku Hiva presents an innovative crosscultural ethnohistory that uncovers new approaches to—and understandings of—what took place on Nuku Hiva more than two hundred years ago.

When Captain Samuel Wallis became the first European to land at Tahiti in June 1767, he left not only a British flag on shore but also three guinea hens, a pair of turkeys, a pregnant cat, and a garden planted with peas for the chiefess Purea. Thereafter, a succession of European captains, missionaries, and others planted seeds and introduced livestock from around the world. In turn, the islanders traded away great quantities of important island resources, including valuable and spiritually significant plants and animals. What did these exchanges mean? What was their impact? The answers are often unexpected. They also reveal the ways islanders retained control over their societies and landscapes in an era of increasing European intervention. Trading Nature explores—from both the European and Tahitian perspective—the effects of "ecological exchange" on one island from the mid-eighteenth century to the present day. Through a series of dramatic episodes, Trading Nature uncovers the potency of trading in nature. In the interweavings of chiefly power, ordinary islanders, the ambitions of outsiders, transplanted species, and existing ecologies, the book uncovers the cultural and ecological impacts of cross-cultural exchange. Evidence of these transactions has been found in a rich variety of voyage journals, missionary diaries, Tahitian accounts, colonial records, travelers’ tales, and a range of visual and material sources. The story progresses from the first trades on Tahiti’s shores for provisions for British and French ships to the contrasting histories of cattle in Tahiti and Hawai‘i. Two key exportations of species are analyzed: the great breadfruit transplantation project that linked Britain to Tahiti and the Caribbean and the politically volatile trade in salt-pork that ran between Tahiti and the Australian colonies in the nineteenth century. In each case, the author explores the long-term impacts of the exchanges on modern Tahiti. Trading Nature is a finely researched and entertaining work that will find a ready audience among those with an interest in the Pacific, ecological history, and the startling consequences of entangling people, plants, and animals on island shores.

In this book, author D. R. M. Irving traces the emergence of such large-scale categories as "European music" and "Western music," showing how they originate from self-fashioning in contexts of intercultural comparison outside the European continent rather than the resolution of national aesthetic differences within it. Taken as a whole, this study demonstrates how reductive labels for the musics of a continent or a hemisphere often imply homogeneity and essentialism, and how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.

The popularity of tattoos today is a revival of a practice begun in the late eighteenth century, when Westerners first made contact with the native peoples of the Pacific. The term ‘tattoo’ entered Europe with the publication of Captain Cook’s voyages in the 1770s, and Pacific tattoos became fashionable in the West as sailors, whalers and explorers brought home tattoos from Tahiti, the Marquesas, New Zealand and Polynesia. In recent years these early contacts have been revived, as native tattooists from Oceania have begun tattooing non-Polynesians in Europe, the USA and elsewhere. Tattoo is both a fascinating book about these early Oceanic–European exchanges, that also documents developments up to the present day, and the first to look at the history of tattooing in Oceania itself. Documenting these complex cultural interactions in the first part of the book, the authors move from issues of encounter, representation and exchange to the interventions of missionaries and the colonial state in local tattoo practices. Highly illustrated with many previously unseen images, for example the original voyage sketches of the first Russian circumnavigation of 1803–6, this is a fascinating account of early tattooing and cultural exchange in Oceania, and will appeal to the wide audience interested in the history of tattooing.

This book examines the processes of scientific, cultural, political, technical, colonial and violent appropriation during the 19th century. The 19th century was the century of world travel. The earth was explored, surveyed, described, illustrated, and categorized. Travelogues became world bestsellers. Modern technology accompanied the travelers and adventurers: clocks, a postal and telegraph system, surveying equipment, and cameras. The world grew together faster and faster. Previously unknown places became better known: the highest peaks, the coldest spots, the hottest deserts, and the most remote cities. Knowledge about the white spots of the earth was systematically collected. Those who made a name for themselves in the 19th century are still read today. Alexander von Humboldt or Charles Darwin made the epoch a scientific heyday. Ida Pfeiffer or Isabelle Bird (Bishop) traveled to distant continents and took their readers at home on insightful journeys. Hermann Vámbéry or Sir Richard Burton got to know the most remote languages and regions. There are countless travel reports about a fascinating century, which, with surveying and exploration, also brought colonial conquest and exploitation into the world. In ten individual studies, the authors explore travelers from all over the world and analyze their successes. The unifying element of all the studies is the experience of distance and its communication by means of travelogues to the armchair travelers who have stayed at home. This volume will be of value to students and scholars both interested in modern history, social and cultural history, and the history of science and technology.

This volume brings together Indigenous and non-Indigenous repatriation practitioners and researchers to provide the reader with an international overview of the removal and return of Ancestral Remains. The Ancestral Remains of Indigenous peoples are today housed in museums and other collecting institutions globally. They were taken from anywhere the deceased can be found, and their removal occurred within a context of deep power imbalance within a colonial project that had a lasting effect on Indigenous peoples worldwide. Through the efforts of First Nations campaigners, many have returned home. However, a large number are still retained. In many countries, the repatriation issue has driven a profound change in the relationship between Indigenous peoples and collecting institutions. It has enabled significant steps towards resetting this relationship from one constrained by colonisation to one that seeks a more just, dignified and truthful basis for interaction. The history of repatriation is one of Indigenous perseverance and success. The authors of this book contribute major new work and explore new facets of this global movement. They reflect on nearly 40 years of repatriation, its meaning and value, impact and effect. This book is an invaluable contribution to repatriation practice and research, providing a wealth of new knowledge to readers with interests in Indigenous histories, self-determination and the relationship between collecting institutions and Indigenous peoples.

Objects have many stories to tell. The stories of their makers and their uses. Stories of exchange, acquisition, display and interpretation. This book is a collection of essays highlighting some of the collections, and their object biographies, that were displayed in the Uncovering Pacific Pasts: Histories of Archaeology in Oceania (UPP) exhibition. The exhibition, which opened on 1 March 2020, sought to bring together both notable and relatively unknown Pacific material culture and archival collections from around the globe, displaying them simultaneously in their home institutions and linked online at www.uncoveringpacificpasts.org. Thirty‑eight collecting institutions participated in UPP, including major collecting institutions in the United Kingdom, continental Europe and the Americas, as well as collecting institutions from across the Pacific.