At a whopping 1,600 pages, with some 35,000 of the greatest movies ever made, this encyclopedia by the editors of TV Guide's award winning, world-renowned Cinebooks Database is simply indispensable. Die-hard movie buffs and the merely curious will both be thrilled at how easily they'll find the answer to any question they have: everything is cross-referenced, including indexes to the actors, the directors, and the films themselves (also arranged by star ranking). Independent and foreign films appear along with Hollywood favorites, and all the movies receive far more in-depth reviews than in any other guide to cinema. Each generous entry includes complete cast listing, detailed plot synopses, exhaustive production credits, musical score information, lists of Oscar™ nominees and winners, and much more. Millions of fans of TV Guide, the world's most widely read weekly publication with 30 million loyal readers, will want to own this!

The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image

Movies made for television were in their infancy when ABC came up with a novel idea: a weekly series of films made exclusively for the small screen. The ABC Movie of the Week became a great success and a cultural touchstone for a generation of Americans. In this loving tribute to the classic series of TV films, more than two hundred films in the series are reviewed, including well-remembered titles such as Duel, Tribes, The Six Million Dollar Man, Go Ask Alice, Brian's Song, The Night Stalker, Bad Ronald, Starsky and Hutch, Trilogy of Terror, That Certain Summer, and Killdozer. In addition, choice bits of trivia about the actors and films and exclusive pictures are sprinkled throughout the book. So bit back, relax, and return to a time when the counterculture was in full swing and you could tune in every week for one or more original films made just for you.

A savvy film critic and travel writer picks his 100 favorite films to inform and entertain you before and after your trip - or while you're traveling there.

The 1991 edition includes some 150 new reviews, bringing a total of close to 1000. Exclusive interviews with such stars and directors as Spike Lee, John Waters, Tracey Ullman, Woody Allen, Matt Dillon, and Morgan Freeman.