From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like" Shindig! "and "Soul Train "somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when" Saturday Night Live "invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.

TV Go Home began life in the late 1990s as an outrageously funny website by Charlie Brooker which parodied the Radio Times, and was turned into a book in 2001 when Brooker was still a relative unknown. It was a brutal and surreal satire of the world of TV, media and celebrity, written with Brooker's trademark savage wit. Unavailable for some years, we are republishing it to reach his many thousands of new fans. In TV Go Home, visit a parallel world where reality TV and 'new media' have got completely out of control. Shows include Daily Mail Island, where inhabitants of a small island are force-fed the newspaper and become ever more outraged, an eternal version of Watchdog where viewers are invited to 'phone in and complain about every single facet of every single object, product and service in the world' and various extremely rude shows featuring Mick Hucknall's testicles. Star of the book is Brooker's famous creation Nathan Barley, pretentious Hoxton new-media type 'whose very existence indelibly tarnishes the world's already questionable track record'. Not for the faint-hearted, TV Go Home is a gloriously funny, filthy and spectacularly angry book.

Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.

Traces the history of rock music on American television, profiling shows such as "Saturday Night Live", "The Ed Sullivan Show", and "American Idol" and individual television performances from various artists.

Goosebumps available soon on Disney+! They're creepy and they're crawly -- they're totally disgusting! Todd loves his basement worm farm. Worms are fascinating creatures--it's just a convenient bonus that they happen to gross out his family. But when Todd starts to find worms in unlikely and unwanted places, like his bed, his toothbrush, and his spaghetti--the tables have turned. Now Todd is the one running scared!

One day Little Green rolls into town and says his first word: "Go!" The town is building a bridge, and now everyone has a job to do, from dump truck to forklift. Little Green helps them do their jobs with gusto. Until . . . there is a little too much gusto. They can go, go, go . . . but how will they stop? This bright, fun book with a bold package captures the endless energy of little boys and the timeless appeal of trucks and machines--both for building and knocking down. Plus, it has an underlying message about working together to get things done.