This book examines Christian converts to Orthodoxy who served as exemplars and leaders for convert movements in America during the twentieth century.

The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.

"[Davidman's] rich ethnographic observations and lucid prose illuminate two of the more important aspects of modern religion generally: the changing role of women and the resurgence of traditional faith."—Robert Wuthnow, author of Meaning and Moral Order

WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

Approaches to Political Thought raises three important questions concerning traditional political thought: (1) Why study the political writings and ideas of Plato, Machiavelli, and other long-dead writers? (2) Who among the writers, and which of their works, are worth studying? (3) How should they be studied? The book then explores ten contemporary approaches to understanding political thought and the diverse answers to these questions. The approaches covered include those of Leo Strauss, Hannah Arendt, Eric Voegelin, Sheldon Wolin, the Cambridge School (Quentin Skinner and J.G.A. Pocock), Psychobiography, Critical Theory of the Frankfurt School (Herbert Marcuse and Jürgen Habermas), Hermeneutics (Paul Ricoeur and Hans-Georg Gadamer), Michel Foucault, and Feminist Criticism (Susan Moller Okin and Jean Elshtain). Each chapter includes an introductory essay and edited selections that illustrate or discuss that approach. Each chapter concludes with discussion questions and suggestions for further exploration, including books, articles, and web sites. This exploration of contending contemporary approaches to political thought touches upon ongoing methodological and philosophical issues that are relevant to several academic disciplines, including political science, history, philosophy, and psychology.

Philip J. Fisk offers a critical reappraisal of Jonathan Edwards's Freedom of Will, interpreting Edwards from within his own tradition, Reformed Orthodoxy (±1550-1750), avoiding the outdated paradigms of the conventional interpretation of Edwards and his tradition, a so-called deterministic, reconciliationist Calvinism, and demonstrating from primary sources, such as Harvard and Yale commencement theses and quaestiones, that Edwards departed ways with Reformed Orthodoxy's robust and highly nuanced view of freedom of will, contingency, and necessity.