In this book, you are going to find Turkish-style Oud exercises written by Baha Yetkin. This book is the first volume of three, it is for beginner-level learners, and uses basic English to make it understandable to even non-native English speakers. Our tuning is going to be D, A, E, B, F#, and C# from bottom to top (highest pitch to lowest). A subject that I became aware of during my years at the conservatory, and concerning which my frustration grew over the years, pushed me to write this book on top of my other ongoing works today. We have a musical heritage more than six centuries old and we are still trying to convey this to the future by word of mouth, not in writing. With this system, this culture will eventually disappear or change. I have prepared this book in order to do something to prevent this, if only by a little bit, and to ensure that this great legacy is left to the people who come after us. This book will be my first work to be published and there will be more to come both for the oud and for Turkish music.

(Instructional). The purpose of this book and its accompanying audio is to give the student not only a method from which to learn the oud, but also an overview of the history, folklore and origins of this beloved ancient stringed instrument. This book teaches the fundamentals of standard Western music notation in the context of oud playing, and serves as an introduction for absolute beginners as well as those experienced on other instruments. The book covers: types of ouds, tuning the oud, playing position, how to string the oud, music notation, scales, chords, arpeggios, tremolo technique, studies and exercises, songs and rhythms from Armenia and the Middle East, and 25 audio tracks for demonstration and play along. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

As the numerous genres of world music radiate further from their roots, so too does the instrumentation and technique that governs their execution. Greek music has changed in many ways over the last 100 years, most recently by the spread of western popular culture throughout the world. The Mediterranean however, remains a region with a rich pool and history of string playing musicians. Laying somewhere between the 'oud' players of the east and the flamenco guitarists of Spain are the bouzouki players of Greece and Cyprus, whose music has been heavily influenced by the tragedy of Greeks fleeing persecution in 1923 from Turkey. This publication pays tribute to the music that stemmed from this period through to modern times via an interpretation on classical guitar. A brief account of the history of Greek music and its development precede numerous classical / flamenco guitar arrangements of songs that have become deeply embedded in Greek culture. Each one of these beautiful arrangements has been carefully written out in standard notation and tablature for non-reading musicians. Listen to the many of these arrangements contained within this book as played by the author Mark Hussey on the album 'Spirit of the Greeks' including two original compositions for guitar in the Greek and Anatolian style at http://www.spiritofthegreeks.com

While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.

Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.