Tulisa Contostavlos has one of the most fascinating and shocking life-stories in showbusiness. Her childhood included harrowing episodes of self-harm, bullying, witchcraft, drug abuse and suicide attempts. Then there has been the ever-present challenge of her mother's mental disorder which Tulisa - as the only child in a single-parent family - had to face alone. How did she rise from such a troubled and dangerous childhood to become first an edgy urban artist and then the much-loved people's princess of Saturday night television? This book, written by leading celebrity biographer Chas Newkey-Burden, tells her eventful and inspirational story for the first time. It uncovers the rich showbusiness heritage of her ancestors and then follows her through her childhood, unflinchingly examining the horrors she faced. It then traces how music became her salvation, thanks to the loving mentorship of Uncle B - the man who formed N-Dubz. The book then follows this never satisfied, always ambitious young woman as she moved into the mainstream and became the nation's sweetheart on The X Factor. The reader is taken behind the scenes to discover the reality of her successful first series on the show, as she guided Little Mix to victory.With a fine cast of supporting characters including Dappy, Fazer, Gary Barlow and Simon Cowell, this is a colourful, entertaining, insightful and shocking portrait of one of Britain's most popular female celebrities.

The quiet sleepy village of Rhos Meadow has been earmarked for a much-disputed wind farm and hydraulic fracturing drilling operation. Soon after work begins, inexplicable and unnatural deaths befall the residents, with those who survive infected by a malignant disease. A girl goes missing when she is drawn to Rhos Meadow by a young spirit's harrowing prophecy that the entire nation is in danger should those infected flee their sanctuary and spread the deadly virus to the outside world. Can anyone find the courage they need to thwart the prowling infected and escape from the once idyllic but now eerie village?

Every attempted delineation of the manners and customs of Imperial Rome must necessarily include a survey, as exhaustive as may be, of the spectacles, as the best measure of her grandeur, and as indicative in many ways of her moral and intellectual condition. Originally, for the most part, religious celebrations, they became, even in the later Republic, the best means of purchasing popular favour, and, under the Empire, of keeping the populace contented. Augustus, the tale runs, once reproached Pylades the Pantomime for his jealousy of a rival, and Pylades replied: 'It is to your advantage, Caesar, that the people concerns itself about us'. But these spectacles effected more even than the diversion of popular interest; their magnificence was a gauge of the popularity of the sovereign. The emperors, like Louis XIV, knew how admiration aids absolute autocracy; like Napoleon, that the imagination of the people must be excited: splendid festivals were one of their most indispensable and most constant devices. Even Caligula, according to Josephus, was honoured and beloved by the folly of the populace; the women and the youth did not desire his death; distributions of meat, the games and the gladiatorial combats had won their hearts, for such were the delights of the mob: the lavishing of these gifts was nominally due to consideration for the populace, though the gladiatorial combats were only intended to sate the monarch's lust of blood.