This book brings together a selection of recent, cutting-edge research which, for the first time, challenges commonplace arguments about Mary and Elizabeth's relative successes or failures in order to rethink Tudor queenship.

An intimate and revealing look at the daily lives and responsibilities of the Tudor Queens of England From Elizabeth of York, wife of Henry VII, the first Tudor monarch, to Elizabeth I, her grand-daughter and the last, The Tudor Queens of England delves into the secret lives of some of the most colorful and dramatic women in British history. The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women - Margaret of Anjou, Anne Boleyn and Catherine Howard - were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable - la belle dame sans merci. In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. The Tudor Queens of England is the first book of its kind to intimately examine these questions and more.

This book explores (mis)representations of two female claimants to the Tudor throne, Lady Jane Grey and Mary I of England. It places Jane's attempted accession and Mary I's successful accession and reign in comparative perspective, and illustrates how the two are fundamentally linked to one another, and to broader questions of female kingship, precedent, and legitimacy. Through ten original essays, this book considers the nature and meaning of mid-Tudor queenship as it took shape, functioned, and was construed in the sixteenth century as well as its memory down to the twenty-first, in literary, musical, artistic, theatrical, and other cultural forms. Offering unique comparative insights into Jane and Mary, this volume is a key resource for researchers and students interested in the Tudor period, queenship, and historical memory.

“A sumptuous historical novel anchored by its excellent depiction of Jane Seymour, Henry the VIII’s third queen . . . This is a must for all fans of Tudor fiction and history.”—Publishers Weekly Ever since she was a child, Jane has longed for a cloistered life as a nun. But her large noble family has other plans, and as an adult, Jane is invited to the King’s court to serve as lady-in-waiting to Queen Katherine of Aragon. The devout Katherine shows kindness to all her ladies, almost like a second mother, which makes rumors of Henry’s lustful pursuit of Anne Boleyn—also lady-in-waiting to the queen—all the more shocking. For Jane, the betrayal triggers memories of a haunting incident that shaped her beliefs about marriage. But once Henry disavows Katherine and secures Anne as his new queen—forever altering the religious landscape of England—he turns his eye to another: Jane herself. Urged to return the King’s affection and earn favor for her family, Jane is drawn into a dangerous political game that pits her conscience against her desires. Can Jane be the one to give the King his long-sought-after son, or will she be cast aside like the women who came before her? Bringing new insight to this compelling story, Alison Weir marries meticulous research with gripping historical fiction to re-create the dramas and intrigues of the most renowned court in English history. At its center is a loving and compassionate woman who captures the heart of a king, and whose life will hang in the balance for it. Praise for Jane Seymour, The Haunted Queen “Bestselling [Alison] Weir’s impressive novel shows why Jane deserves renewed attention [and] illustrates Jane’s unlikely journey from country knight’s daughter to queen of England. . . . From the richly appointed decor to the religious tenor of the time, the historical ambience is first-rate.”—Booklist (starred review) “Deft, authoritative biographical fiction . . . a dramatic and empathic portrait of Jane Seymour.”—Kirkus Reviews

This book delves into the lives of six Tudor women celebrated for their reputed 'wickedness'— Anne Boleyn and Katherine Howard, the two consorts of Henry VIII who were executed for adultery; Anne Seymour, duchess of Somerset, and Lettice Dudley, countess of Essex and Leicester, two defamed noblewomen; and Jane and Alice More, the two wives of Sir Thomas More who were charged with contrariness and shrewishness. In the process, author Retha Warnicke rescues these women from historical misrepresentations and helps us rediscover the complex world of Tudor society.

By the #1 New York Times bestselling author, a novel of passion and power at the court of a medieval killer, a riveting new Tudor tale featuring King Henry VIII’s sixth wife Kateryn Parr. Kateryn Parr, a thirty-year-old widow in a secret affair with a new lover, has no choice when a man old enough to be her father who has buried four wives—King Henry VIII—commands her to marry him. Kateryn has no doubt about the danger she faces: the previous queen lasted sixteen months, the one before barely half a year. But Henry adores his new bride and Kateryn’s trust in him grows as she unites the royal family, creates a radical study circle at the heart of the court, and rules the kingdom as Regent. But is this enough to keep her safe? A leader of religious reform and the first woman to publish in English, Kateryn stands out as an independent woman with a mind of her own. But she cannot save the Protestants, under threat for their faith, and Henry’s dangerous gaze turns on her. The traditional churchmen and rivals for power accuse her of heresy—the punishment is death by fire and the king’s name is on the warrant... From the bestselling author who has illuminated all of Henry’s queens comes a deeply intimate portrayal of the last: a woman who longed for passion, power, and education at the court of a medieval killer.

The biography of Henry VII's queen, and mother of Henry VIII, the true story of the 'White Princess'.