"Guided by Eliot's own allusions and references to specific authors and historical moments, Cuddy adds a feminist, cultural, and intertextual perspective to the familiar critical interpretations of Eliot's work in order to reread poems and plays through nineteenth-century ideologies and knowledge set against our own time. By considering the implications and consequences of Eliot's culturally approved assumptions, this study further reveals how Eliot was trapped between the idea of Evolution as a unifying project and the reality of his own and his culture's hierarchical (and fragmenting) beliefs about class, gender, religion, and race. Cuddy concludes by exploring how this conflict undermined Eliot's mission of unity and influenced his (and Modernism's) place in history."--BOOK JACKET.

A Synopsis of "The Image of Modern Man in T. S. Eliot's Poetry" The book, presents an original understanding of The Image of Modern Man in T. S. Eliot's complex and difficult poems in an easy and understandable way. Eliot's vision of the Modern Man and the modern world is depicted throughout Eliot's most well-known poems. Eliot was criticized by some critics for the quality of his work. The aim of this book is to show what an excellent and successful writer he is, to reveal the value and the contemporaneity of his work. His poetry is highly evaluated for its unique way of depicting the Modern human by realizing their problems as well as finding solutions for them. The book is a great help not only for students, but also for researchers as the writer has spent much time in reading Eliot's Poems. He has also written an ample introduction about modernism, modernity, modern literature and modern poetry, which might be enough to understand the rise of modern poetry. "... All of Eliot's poems especially "The Waste Land" has presented readers with all the aspects of the modern life. Life is depicted as a mirror, broken and shattered into pieces as it is clear in the different parts of the poem. Eliot unlike many poets did not leave the modern man lost in despair but he finds them them, their peace of mind by having a true and stable faith as well as their turning to God." "... The only solution for the entire problems of modern man is to turn to God and neglect the world that completely occupied them spiritually". "...Modern man lost has lost his values especially women by only looking after children, many of them turned to prostitution because they did not have any source of income; therefore, they used that as a way to earn money to maintain life. These are the characteristics of the modern city, which are shared by all the countries, especially Europe. Eliot insists on the necessity of turning from world to God. He believed that God can solve their problems, because man or any other earthly power could not change that gloomy and aimless life, which modern man complained against."

Provides a biography of American poet T.S. Eliot along with critical views of his work.

Over a dozen new volumes of T. S. Eliot's poetry, prose, and letters have been published in the past decade. This collection presents unabashedly fresh approaches to Eliot, while simultaneously guiding readers through the new materials that are available for the first time outside of restricted archives. Eliot, the figurehead of literary modernism, continues to be someone whom critics love to hate (Misogynist! Reactionary! Anti-Semite!) and readers love to devour (Profound! Revolutionary! Resonant!). Why does one artist elicit such different responses? Eliot Now collects new and established voices in Eliot studies, integrating contemporary critical approaches with careful attention to the newly published materials. Whether grappling with the controversial new two-volume Poems, narrating the experience of opening Eliot's letters in the Emily Hale papers (until 2020 the “most famous sealed archive in the world”), or rereading his works through ecocritical or trans studies lenses, Eliot Now shows how this most effusively celebrated and heatedly criticized 20th-century writer continues to change the way we read literature in the 21st century. The collection concludes with six award-winning contemporary poets considering the influence of The Waste Land on poetry today.

Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.

"The modern literary critic", T. S. Eliot wrote in 1929, "must be an 'experimenter' outside of what you might at first consider his own province; [...] there is no literary problem which does not lead us irresistibly to larger problems." This book follows Eliot's principle and situates his literary and critical work in a wide context that reveals manifold links between aesthetics, ethics, politics and epistemology: the historical context of early-twentieth-century idealism, vitalism and pragmatism, especially the intensely political Bergsonian controversy, and the modern context of the philosophies of Charles Taylor, Michel Foucault and Richard Rorty. 'Knowledge', it argues, was verbalised in the modernist age, individualised into the act of 'knowing', an act with motives and goals, and thus introduced into the realm of ethics - a process central to twentieth-century thought. Eliot's poems especially, constructed as "a life composed", a literary lifetime linking composition and composure, ponder the virtue of precision, the sins of pride and "mental sloth", the temptation of prejudice and the need for conviction. Decidedly tentative, Eliot's poems solve the problem of morally significant literature. In a century of suspicion, they ask the crucial question of where one should start to rely.

The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.