From the acclaimed cultural historian Philip F. Gura comes Truth's Ragged Edge, a comprehensive and original history of the American novel's first century. Grounded in Gura's extensive consideration of the diverse range of important early novels, not just those that remain widely read today, this book recovers many long-neglected but influential writers—such as the escaped slave Harriet Jacobs, the free black Philadelphian Frank J. Webb, and the irrepressible John Neal—to paint a complete and authoritative portrait of the era. Gura also gives us the key to understanding what sets the early novel apart, arguing that it is distinguished by its roots in "the fundamental religiosity of American life." Our nation's pioneering novelists, it turns out, wrote less in the service of art than of morality. This history begins with a series of firsts: the very first American novel, William Hill Brown's The Power of Sympathy, published in 1789; the first bestsellers, Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette, novels that were, like Brown's, cautionary tales of seduction and betrayal; and the first native genre, religious tracts, which were parables intended to instruct the Christian reader. Gura shows that the novel did not leave behind its proselytizing purpose, even as it evolved. We see Catharine Maria Sedgwick in the 1820s conceiving of A New-England Tale as a critique of Puritanism's harsh strictures, as well as novelists pushing secular causes: George Lippard's The Quaker City, from 1844, was a dark warning about growing social inequality. In the next decade certain writers—Hawthorne and Melville most famously—began to depict interiority and doubt, and in doing so nurtured a broader cultural shift, from social concern to individualism, from faith in a distant god to faith in the self. Rich in subplots and detail, Gura's narrative includes enlightening discussions of the technologies that modernized publishing and allowed for the printing of novels on a mass scale, and of the lively cultural journals and literary salons of early nineteenth-century New York and Boston. A book for the reader of history no less than the reader of fiction, Truth's Ragged Edge—the title drawn from a phrase in Melville, about the ambiguity of truth—is an indispensable guide to the fascinating, unexpected origins of the American novel.

Deployed to Iraq in March 2004 after the overthrow of Saddam Hussein, US Marine Michael Zacchea thought he had landed a plum assignment. His team's mission was to build, train, and lead in combat the first Iraqi Army battalion trained by the US military. Quickly, he realized he was faced with a nearly impossible task. With just two weeks' training based on outdated and irrelevant materials, no language instruction, and few cultural tips for interacting with his battalion of Shiites, Sunnis, Kurds, Yazidis, and others, Zacchea arrived at his base in Kirkush to learn his recruits would need beds, boots, uniforms, and equipment. His Iraqi officer counterparts spoke little English. He had little time to transform his troops—mostly poor, uneducated farmers—into a cohesive rifle battalion that would fight a new insurgency erupting across Iraq. In order to stand up a fighting battalion, Zacchea knew, he would have to understand his men. Unlike other combat Marines in Iraq at the time, he immersed himself in Iraq's culture: learning its languages, eating its foods, observing its traditions—even being inducted into one of its Sunni tribes. A constant source of both pride and frustration, the Iraqi Army Fifth Battalion went on to fight bravely at the Battle of Fallujah against the forces that would eventually form ISIS. The Ragged Edge is Zacchea's deeply personal and powerful account of hopeful determination, of brotherhood and betrayal, and of cultural ignorance and misunderstanding. It sheds light on the dangerous pitfalls of training foreign troops to fight murderous insurgents and terrorists, precisely when such wartime collaboration is happening more than at any other time in US history.

In the never-ending quest for fulfillment, we sometimes convince ourselves that life would be better if we just had a different career . . . more education . . . a new spouse . . . a fresh start in another location. The solution to life's challenges, we think, is just around the corner, a few steps ahead?always just out of reach. Living on the Ragged Edge Workbook opens the pages of an ancient journal?the Old Testament book of Ecclesiastes. In this very personal, unbelievably honest book, King Solomon chronicles his search for satisfaction, experiencing everything the world offered. The wisest man who ever lived, he certainly had the intelligence and the vast resources to pursue whatever his heart desired?from personal riches to sexual pleasures. Solomon had it all. He did it all with abandon. And he came to the end of his days with the ultimate secret for the "good life." Do you want to know the secret? Do you want to know how to find joy and peace in this world gone mad? In this bestseller Charles Swindoll delivers his characteristic insights and wisdom in an exploration of the book of Ecclesiastes and brings home to you Solomon's powerful message for living at its best.

This is a book for people living in the trenches--for those who are searching for a deeper sense of satisfaction from the daily grind of being alive in the l990sWord to laypeople who feel the call of the Great Commission upon their lives.ess, a better friend.

An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

Framed for the murder of her best friend, a young girl joins a super-secret society of teenage assassins to avoid a lifetime behind bars--and discovers her own true self--in this mesmerizing debut novel. Seventeen-year-old Signal Deere has raised eyebrows for years as an unhappy Goth misfit from the trailer park. When she's convicted of her best friend Rose's brutal murder, she's designated a Class A--the most dangerous and manipulative criminal profile. To avoid prison, Signal signs on for a secret program for 18-and-under Class As and is whisked off to an abandoned sleep-away camp, where she and seven bunkmates will train as assassins. Yet even in the Teen Killers Club, Signal doesn't fit in. She's squeamish around blood. She's kind and empathetic. And her optimistic attitude is threatening to turn a group of ragtag maniacs into a team of close-knit friends. Maybe that's because Signal's not really a killer. She was framed for Rose's murder and only joined the program to escape, track down Rose's real killer, and clear her name. But Signal never planned on the sinister technologies that keep the campers confined. She never planned on the mysterious man in the woods determined to pick them off one by one. And she certainly never planned on falling in love. Signal's strategy is coming apart at the seams as the true killer prepares to strike again in Teen Killers Club.

Richard struggles to find his missing wife Kahlan in spite of the bizarre fact that no one else seems to believe she actually exists or that he is married to her.