In Jonathan Kellerman’s gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn. Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman’s bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses—part Boy Scout, part bulldog, man of few words—is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn’t usual. For Moses, it’s an ice-cold mystery he just can’t outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it’s a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together–and the rivalry that rules them won’t let either man quit till the case is cracked. A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin’s white knight as their primary “person of interest,” hoping that, like most people in L.A., he has a secret side. But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who’s probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul.

TRUE DETECTIVES follows half-brothers Moe Reed and Aaron Fox on the twisted trail of a missing girl; a dark, baffling whodunit that forces the brothers to put aside their mutual animus to work with psychologist Alex Delaware - and to confront the unresolved family mystery that turned them into enemies. 'No one does psychological suspense as well as Jonathan Kellerman' (Detroit Free Press), and the New York Times No. 1 author's novels, such as KILLER and BREAKDOWN are perfect for fans of Patricia Cornwell and Harlan Coben. PIs can do things, legally, that cops can't. And cops have access to resources denied their private counterparts. Only by pooling their efforts - and by consulting a man both brothers respect, psychologist Alex Delaware, do Fox and Reed stand a chance of peeling back the secrets in high places that explain the fate of an outwardly innocent young woman. And, by doing so, the brothers learn about much more than murder.

Investigating the trail of philosophical leads in HBO’s chilling True Detective series, an elite team of philosophers examine far-reaching riddles including human pessimism, Rust’s anti-natalism, the problem of evil, and the ‘flat circle’. The first book dedicated to exploring the far-reaching philosophical questions behind the darkly complex and Emmy-nominated HBO True Detective series Explores in a fun but insightful way the rich philosophical and existential experiences that arise from this gripping show Gives new perspectives on the characters in the series, its storylines, and its themes by investigating core questions such as: Why Life Rather Than Death? Cosmic Horror and Hopeful Pessimism, the Illusion of Self, Noir, Tragedy, Philosopher-Detectives, and much, much more Draws together an elite team of philosophers to shine new light on why this genre-expanding show has inspired such a fervently questioning fan-base

"In the mob-choked Chicago of 1932, private detective Nathan Heller may be willing to risk his life to earn a Depression dollar, but he never sacrifices his sardonic wit ... When Mayor Cermak's 'Hoodlum Squad' brings Heller along on a raid with no instructions but to keep his mouth shut and his gun handy, he becomes an unwitting, unwilling part of a hit on Al Capone's successor, Frank Nitti. As a result, Heller quits the force to become a private eye. His first job: head off a nation-shaking political assassination in Miami Beach"--P. [4] of cover.

True Detective features a portable magnifying glass that will allow readers to unlock their inner Sherlock and riddle their way through mind-bending visual puzzles! There is just one difference between each set of like objects. It’ll take a true detective to solve these mysteries! Use the enclosed magnifying glass to sleuth your way through these unicorns, race cars, dogs, dinosaurs, and more. With a wide range of puzzles from beginner sleuth to super sleuth, there is something fun to amuse detectives of all ages. Stumped? Solutions are included in the back of the book for those puzzles you just can’t solve.

Reluctant Sleuths, True Detectives examines the detective figure in four noir and neo-noir films: Out of the Past (1947), Notorious (1946), Vertigo (1958), and Chinatown (1974). Exploring the way that these characters each move from an initial state of reluctant passivity to one of passionate engagement with the world around them, it questions the cinematic forces required to motivate and move them. In its close examinations of each film, the book meditates on the detectives' hunts and how they interact with the cinematic apparatus that captures and presents them to an audience, and it tracks the receptive experience of these films in relation to these questions of motivation and movement.

A debut collection of short fiction from this National Magazine Award in Fiction finalist. Set in a variety of Southern and Midwestern landscapes — from Missouri’s Ha Ha Tonka State Park to a crop circle at a Minnesotan farm — the stories in 'Between Here and the Yellow Sea' excavate the ambiguous terrain of the human heart. With a forceful and compassionate voice, Pizzolatto finds beauty in loneliness as his characters attempt to bridge the gulfs between themselves and others, past and present, and, sometimes, between their inner and outer selves. In this both heartbreaking and humorous collection, we meet a base-jumping, samurai park ranger who parachutes off the St. Louis Arch; a stained glass artist who struggles over his masterpiece and learns through great loss what his true subject will be; and a religious elementary school teacher who tries to understand her rebellious, militant son. In the title story, which first appeared in the Atlantic Monthly, an orphaned young man and his former high school football coach set out to kidnap the coach’s daughter from Los Angeles and bring her back to east Texas. With an assured, poignant voice, Pizzolatto places us at the crossroads of memory and desire, somewhere between here and the Yellow Sea.