Though the terms “queer” and “Mennonite” rarely come into theoretical or cultural contact, over the last several decades writers and scholars in the United States and Canada have built a body of queer Mennonite literature that shifts these identities into conversation. In this volume, Daniel Shank Cruz brings this growing genre into a critical focus, bridging the gaps between queer theory, literary criticism, and Mennonite literature. Cruz focuses his analysis on recent Mennonite-authored literary texts that espouse queer theoretical principles, including Christina Penner’s Widows of Hamilton House, Wes Funk’s Wes Side Story, and Sofia Samatar’s Tender. These works argue for the existence of a “queer Mennonite” identity on the basis of shared values: a commitment to social justice, a rejection of binaries, the importance of creative approaches to conflict resolution, and the practice of mutual aid, especially in resisting oppression. Through his analysis, Cruz encourages those engaging with both Mennonite and queer literary criticism to explore the opportunity for conversation and overlap between the two fields. By arguing for engagement between these two identities and highlighting the aspects of Mennonitism that are inherently “queer,” Cruz gives much-needed attention to an emerging subfield of Mennonite literature. This volume makes a new and important intervention into the fields of queer theory, literary studies, Mennonite studies, and religious studies.

Explore the mind and motivations of a serial killer

In 1983 the author, a Christian Businessman, arrived home from a sales trip to discover that his wife and three children had been brutally murdered. A year later he was convicted and sent to prison. He was innocent. In prison he met Henry Hillenbrand, known as the card man because he sold homemade greeting cards. Henry told David an incredible story. In 1970, after murdering the woman he loved and the man he found her in bed with, he had executed a daring escape from jail by cutting through his cellblock's iron cage and the bars of a window and rappelling from the third floor with a rope he braided from a sheet. During 13 fugitive years in Missouri, he had remarried and fathered two boys, defended himself in court, attempted suicide, converted to Christianity, and been recaptured by the FBI. In this book, the two imprisoned convicts endure riots, shakedowns, and gang extortion attempts while the formerly godless murderer-now a believer-dictates his story to the formerly Christian family man-now a skeptic. One is trying to get his story out; the other is trying to get himself out. Throughout, the goodwill and humor of both men emerges. Early on, when David wants to write this book, Henry advises him: "Be careful what you wish for, Hendricks. When I was a child, I wanted bunk beds."

A serial killer is roaming the streets of Milwaukee. He hides in plain sight. He could be your neighbor or your co-worker. Why does he kill? Is it for twisted love or from moral depravity? A fiery detective is on his trail. Will she catch him in time or will she become another victim? Live the path of destruction as seen through the eyes of the serial killer and experience the thrilling conclusion that ends with a wicked twist.

A gripping legal thriller from the no.1 Sunday Times bestselling author and creator of Sooley and The Judge's List. _______________________________________ An innocent man is days from execution. Only a guilty man can save him. Travis Boyette is a murderer. Nine years ago, he strangled a high-school cheerleader and buried her body so it could never be found. Then, he watched and waited as police arrested Donte Drumm, a local football star with no connection to the crime. Tried, convicted, and sentenced, Drumm was sent to death row whilst Boyette walked free. Now, Donte Drumm is four days from execution. And as Boyette faces his own mortality, hehas finally decided to do what is right. He has decided to confess. But how can he convince the state that they are about to execute the wrong man? _______________________________________ 'A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' Irish Independent 'John Grisham is the master of legal fiction' Jodi Picoult 'The best thriller writer alive!' Ken Follett 'John Grisham has perfected the art of cooking up convincing and fast-paced thrillers' Telegraph 'Grisham is a superb and instinctive storyteller' The Times 'Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.' Daily Record 'Masterful - when Grisham gets in the courtroom he lets rip, drawing scenes so real they are not just alive, they are pulsating' Mirror 'A giant of the thriller genre!' TimeOut

James Patterson returns to the genre that made him famous with a #1 New York Times bestselling teen detective novel about the mysterious Angel family . . . and the dark secrets they're keeping from one another. On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone-maybe not even herself. As Tandy sets out to clear the family name, she begins to recall flashes of experiences long buried in her vulnerable psyche. These memories shed light on her family's dark secrets, and digging deeper into her powerful parents' affairs proves to be a disturbing and dangerous game. Who knows what any of the Angels are truly capable of?

The incredible true story of the decade-long quest to bring down Paul Le Roux—the creator of a frighteningly powerful Internet-enabled cartel who merged the ruthlessness of a drug lord with the technological savvy of a Silicon Valley entrepreneur. “A tour de force of shoe-leather reporting—undertaken, amid threats and menacing, at considerable personal risk.”—Los Angeles Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Evening Standard • Kirkus Reviews It all started as an online prescription drug network, supplying hundreds of millions of dollars’ worth of painkillers to American customers. It would not stop there. Before long, the business had turned into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hit men in the Philippines. Encryption programs so advanced that the government could not break them. The man behind it all, pulling the strings from a laptop in Manila, was Paul Calder Le Roux—a reclusive programmer turned criminal genius who could only exist in the networked world of the twenty-first century, and the kind of self-made crime boss that American law enforcement had never imagined. For half a decade, DEA agents played a global game of cat-and-mouse with Le Roux as he left terror and chaos in his wake. Each time they came close, he would slip away. It would take relentless investigative work, and a shocking betrayal from within his organization, to catch him. And when he was finally caught, the story turned again, as Le Roux struck a deal to bring down his own organization and the people he had once employed. Award-winning investigative journalist Evan Ratliff spent four years piecing together this intricate puzzle, chasing Le Roux’s empire and his shadowy henchmen around the world, conducting hundreds of interviews and uncovering thousands of documents. The result is a riveting, unprecedented account of a crime boss built by and for the digital age. Praise for The Mastermind “The Mastermind is true crime at its most stark and vivid depiction. Evan Ratliff’s work is well done from beginning to end, paralleling his investigative work with the work of the many federal agents developing the case against LeRoux.”—San Francisco Book Review (five stars) “A wholly engrossing story that joins the worlds of El Chapo and Edward Snowden; both disturbing and memorable.”—Kirkus Reviews (starred review)