In the thirteenth century, King-Monk Trần Nhân Tông founded the Trúc Lâm Thiền (Chan/Zen) sect. During the Golden Age in Vietnamese Buddhist history, the sect flourished under three patriarchs with renowned Thiền masters. Unfortunately, the Trúc Lâm sect faded over the following centuries, and Thiền Buddhism in Vietnam, for the most part, disappeared. In the late twentieth century, a growing new religious movement led by Thích Thanh Từ, a Pure Land monk, called for a restoration of Trúc Lâm Thiền Buddhism. Who is Thích Thanh Từ? How and why did he choose to revive this particular sect and its emancipation practices? Trúc Lâm currently boasts hundreds of monasteries and thousands of monks and nuns in Vietnam and beyond, but how have the forces of modernity influenced its original traditions? Through existing literature and extensive onsite fieldwork, this book analyzes the history and revival of a forgotten Buddhist sect and examines the movement’s reform.

Representative of a new wave of anthropological research on religion in Vietnam, Modernity and Re-enchantment brings together in a single book the latest and best research available on this topic. Its lively and original descriptions deftly evoke the burgeoning field of religiosity in contemporary Vietnam. With case studies into a great variety of religious practices, it covers more ground than the small handful of single-authored books currently available on religion in Vietnam.

At the tail end of the twentieth century, a monk transformed a small village temple on the outskirts of Hanoi into a monastery and meditation center called Thiền Viện Sùng Phúc—a place where monastics and lay Buddhists could learn and practice Zen meditation. In time the original temple was replaced by numerous large buildings to accommodate meditation sessions, youth events, weddings, classes, and a variety of other activities designed to keep practitioners engaged. Thiền Viện Sùng Phúc’s approach to Buddhism as a life commitment for all ages and genders has been very successful, attracting more than a thousand Buddhists to its weekly services. It joined Thiền phái Trúc Lâm, a much larger organization started by Thích Thanh Từ in southern Vietnam that has expanded to northern Vietnam and internationally. In Zen Conquests, Alexander Soucy presents not only the first ethnography of Thiền Viện Sùng Phúc and its followers, but also a compelling look at how the discourses of Buddhist Modernism were incorporated at a local level into this new space on the outskirts of Hanoi and how and why new constituencies of followers are drawn to Zen Buddhism in contemporary Vietnam. Thiền Viện Sùng Phúc’s Zen tradition purports to be a continuation of the only Zen Buddhist sect founded in Vietnam: the fourteenth-century Trúc Lâm Zen School. However, the movement can also be seen as the product of Buddhism’s globalization, born from the D. T. Suzuki-inspired interest in Zen in South Vietnam during the American War. Despite its claims to be authentically Vietnamese Zen, it more closely resembles Modernist versions of Buddhism practiced by Western converts in North America than anything Vietnamese. Soucy maintains that it is only by looking at the processes of globalization that Vietnamese Buddhism (both in the context of Vietnam but also in the Vietnamese diaspora) can be properly understood. He argues convincingly for acknowledging the continued influence of transnational, pan-Asian, and global flows of migration and communication on the development of multiple forms of Buddhism worldwide.