Bloom's greatest talent is her Dragon Flame, but a trio of witches called Trix try to steal it from her.

A young Boston family is torn apart—into parallel dimensions—in this dark urban fantasy by the authors of The Map of Moments. From Beacon Hill to Southie, Boston is a place of close-knit neighborhoods. But as Jim Banks and Trix Newcomb soon learn, it is also a city divided, split into three separate versions of itself by a mad magician once tasked with its protection. Jim’s happy family includes his wife Jenny, their daughter Holly, and Jenny’s best friend Trix—who has secretly been in love with Jenny for years. But when Jenny and Holly inexplicably disappear, they leave behind a Boston in which they never existed. Only Jim and Trix remember them. Only Jim and Trix can bring them back. With the help of Boston’s Oracle, an elderly woman with magical powers, Jim and Trix travel between the fractured cities in search of Jenny and Holly. But if Jim and Trix fail, the spell holding the separate Bostons apart will fail too, and the cities will collide in a cataclysmic implosion. Someone, it seems, wants just that. And that someone has deadly shadow men at their disposal.

Jack Galloway died in 1987, a year after his mother and two years after his wife, Alice. When Alice, my mother, died in 1985, he wasn’t sure what he’d do without her. I said, “Write. Write a book.” Of course, that suggestion was dismissed when he said he was no writer. In 2005 I wrote about an impending book in my “Up Close” column for a local newspaper. I told my readers my dad was a writer. He had written me letters through the years because I lived 500 miles away from him and Mom. I knew he could write. So I told him to write about each of the horses in his life. I rattled a few off , “Write about Patty Ann, Old Pal, Eagle, Darky and Spike or Harding,” I said. “Then write about the people you’ve known. There was Old Poke Kidder and Floyd Jones, to name a couple.” There are only three people left on earth who can read his writing. That’s my daughter, my sister and me. We hashed around getting the stories typed, organized and printed. My sister’s boys and my children knew Granddad Jack. The great-grandchildren did not, but maybe these stories will give them an inkling of the cowboy he was. Fast forward to today and you are holding a collection of Jack Galloway’s stories and poems in your hand. Putting this together is a tribute to the man who was one of the last of his generation of Sandhills cowboys. He was a personable man who could ride a horse, rope, sing, dance and, unknown to him, he could write. Enjoy his stories.

The Trix steal Bloom's power of the dragon flame from her before she can learn how to use it, and only Bloom--still powerless--can stop the evil band of witches from conquering the Magic Dimension.

This volume represents the first biography of Alice MacDonald Kipling Fleming (1868-1948), known as Trix. Rarely portrayed with sympathy or accuracy in biographies of her famous brother Rudyard, Trix was a talented writer and a memorable character in her own right whose fascinating life was unknown until now. In telling Trix’s story, Barbara Fisher rescues her from the misrepresentations, trivializations, and outright neglect of Rudyard’s many biographers. This book provides the first account of Trix’s life, beginning with the horrible childhood she shared with Rudyard as a Raj orphan in England. The biography follows adolescent Trix as she returned to India, where her brother encouraged her to write poems and stories, which were regularly mistaken for his. Her marriage to a stiff Scottish officer is chronicled from its hopeful beginnings through its childless, cheerless middle to its calm and compromised end. Trix’s bouts of mental illness are described in sympathetic detail. Turning her attention to Trix’s oeuvre Barbara Fisher locates and attributes all of her short fiction, poetry, and journalism, giving special attention to Trix’s two ambitious but flawed novels. She also puts into historical context Trix’s long and productive participation as a medium for the Society for Psychical Research. Most importantly, Trix: The Other Kipling gives a voice, a mind, and a heart to a misunderstood, misrepresented, but indomitable woman – an accomplishment which will be of great interest to readers interested in Victorian women authors, in the cultural interchanges between England and colonial India, in serious psychical research, in the early treatment of mental illness, and more generally, in the everyday life and struggles of intellectual women of the 19th and early 20th century.