An innocent boy is on the run from the law and a ruthless assassin in the New York Times bestselling author’s “heart-pounding tale of suspense” (People). After a guard is murdered at a juvenile detention center and one of the inmates is found missing, it appears that Nathan Bailey has graduated from car thief to cold-blooded killer. Now the subject of a nationwide manhunt, Nathan is the most wanted fugitive in America—and only twelve years old. But Nathan is also the target of another kind of hunt. After escaping his corrupt uncle and killing that guard in self-defense, he has more to fear than legal prosecution. He’s also the target of a savage hit man. To survive he has only himself, his smarts, and his honesty to depend on. But will that be enough as he takes on a world of violence beyond his comprehension? "Fast, intriguing . . . a clever plot with enough menace to keep readers on the edge of their seats." —Boston Herald

Winner of the 2022 award for biography from the American Society of Journalists and Authors The fascinating story of how the three most influential American progressives of the early twentieth century split over America’s response to World War I. In the early years of the twentieth century, the most famous Americans on the national stage were Theodore Roosevelt, Woodrow Wilson, and Jane Addams: two presidents and a social worker. Each took a different path to prominence, yet the three progressives believed the United States must assume a more dynamic role in confronting the growing domestic and international problems of an exciting new age. Following the outset of World War I in 1914, the views of these three titans splintered as they could not agree on how America should respond to what soon proved to be an unprecedented global catastrophe. The Approaching Storm is the story of three extraordinary leaders and how they debated, quarreled, and split over the role the United States should play in the world. By turns a colorful triptych of three American icons who changed history and the engrossing story of the roots of World War I, The Approaching Storm is a surprising and important story of how and why the United States emerged onto the world stage.

"Beginning with just five feet of counter space on Coney Island in 1916, Nathan's Famous - based on the basic principles of quality ingredients, hard work and a price everyone could afford -soon stretched across the globe, launching the hotdog as an American food staple and Nathan Handwerker to national fame. But the story behind the dog is even tastier... Fleeing Eastern Europe as the shadow of WWI looms large with nothing but twenty dollars in his socks, Nathan arrives in New York with the insatiable desire to make a better life, and within two years he sets up a shop of his own, hawking frankfurters for five cents at the sleepy little beach retreat of Coney Island. As New York booms, pushing trains and patrons to the shore, so too do Nathan's humble hotdogs. Within ten years he has the whole corner, and a brand as recognizable as Coca-Cola and Cracker Jack. Nathan's is famous. But with success comes difficulties, and as Nathan's two sons vie to inherit the family dynasty a story of Biblical proportions plays out, mirroring the corporatization of the American food industry. Written by Nathan's own grandson, and at once a portrait of a man, a family and the changing face of a nation through a century of promise and progress, Famous Nathan is a dog's tale that snaps and satisfies with every page"--

A Lancashire social worker’s latest case involves sex trafficking and the apocalypse in this supernatural crime thriller. Two fourteen-year-old girls are found wandering Aitken Wood on the slopes of Pendle Hill, claiming to have been raped by a gang of men. With no female social workers available, Johnny Malkin is assigned to their case. But what, at first, looks like yet another incident of child exploitation takes a sinister turn when the girls start speaking of a forthcoming apocalypse. When Johnny interviews one of the girls, Jenna Dunham, her story starts to unravel. His investigation draws him into a tight-knit village community in the shadow of Pendle Hill, where whispers of witchcraft and child abuse go back to the Middle Ages. One name recurs, The Hobbledy Man. Is he responsible for the outbreaks of violence sweeping across the country? Is he more than just myth?

“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).