A newly covered best-sellers for creative hands and curious minds, featuring 32 pages of fine line art, fun-to-read and informative facts -- and bold, updated cover for contemporary consumers.Children will be spellbound by this magical tale of a princess in search of the Mirror of Truth, complete with hidden pictures. Try and find them all.

Joel Rufus Moseley (1870-1954) is one of the forgotten twentieth-century champions of American Pentecostalism. A brilliant scholar and university professor, he left the accolades of academia and searched a number of spiritual paths until he embraced Pentecostalism in 1910. Thereafter he began a lay ministry to the down-and-outs of society, openly campaigning against capital punishment, for racial desegregation, and above all else for living a life in the Holy Spirit he described as "Life as Love." He blazed a path that was to influence (and confound) many Pentecostal leaders of his time, provided an example to those who would lead what become known as the Charismatic Renewal, and enjoyed a life of joy one rarely encounters. A contemporary version of St. Francis of Assisi, Rufus Moseley shunned position, power, politics, religious titles, and seeking after wealth in favor of following simplicity and depth of spiritual life. Like his thirteenth-century counterpart, he lived a life of gratitude, of "littleness," and above all, love. Moseley offers encouragement as well as reproof to the contemporary charismatic movement to again seek the simplicity that is in Christ.

If Steve Earle weren't a living, breathing person, he'd be a character in a blues song -- a raucous ballad about a gifted rebel who drank too much, lost most of his women in a blizzard of crack and cocaine addiction, and always came out on the wrong side of the law. Somewhere in the midst of all this, he also managed to weld rock to country, the Beatles to Springsteen, and bluegrass to punk, establishing himself among the most thoroughly original and politically astute musicians of his generation. Granted unrestricted access to Steve and his family and friends, Lauren St John has given us a sometimes shocking, often moving, and completely unvarnished biography of one of America's most talismanic sons.

The king sends out an invitation for the brave knights in his kingdom to attempt the rescue of his beautiful daughter from Terrance the Terrible’s ten-story tower. The black knight must be defeated, and the dragon must be slain. Who will be brave enough? A troubadour is a singer of songs, but he sets out to be the hero. The winner is promised one-third of the kingdom, three bags of gold, three new suits of armor, three white steeds, a sword with a ruby-studded hilt, and the princess’s hand in marriage. The troubadour does not want to marry the princess, but he would like all the other stuff. He writes new songs, polishes his musical instruments, and presents himself to the king for permission to go on the quest.

Amazing love story set in a medieval era.Filled with beautiful truths, spell binding from start to finish.Both the book and the screenplay are shared.

SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.