Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.

JUNKYARD DRUID A New Adult Urban Fantasy Novel From M.D. Massey A cursed druid, blackmailed by a faery queen to find a missing magic rock. Let's just hope they don't hack the druid off... for everyone's sake. Name's Colin McCool. Folks call me the Junkyard Druid. I hate that name. Despite my last name, I'm not "cool" like the other hunters in town. I don't run an occult bookstore, I've never owned a Harley, and I didn't inherit a family fortune passed down through generations of hunters before me. And I kind of have this curse on me that's messed up my life. So, things have gone to hell since I was cursed. I live in a junkyard, my mentor Finn is a heroin addict, I've got the Cold Iron Circle breathing down my neck, and the local Fae Queen Maeve is blackmailing me into doing her dirty work. Now I'm in way over my head trying to retrieve Maeve's stolen magic rock, all while helping my friend Belladonna solve a series of murders that may or may not involve the local werewolves. And did I mention that my girlfriend is a ghost? If I can just get the Faery Queen's tathlum back, and help Belladonna solve the murders... Then I just might live long enough to finish my first year of college. - - - Junkyard Druid is a new adult fantasy novel that interweaves elements of paranormal mystery and suspense to introduce an exciting new world and characters in the urban fantasy paranormal genre. It is the first book in the Colin McCool urban fantasy series for adults. Readers of Jim Butcher, Patricia Briggs, Kevin Hearne, and Al K. Line will enjoy exploring this new fantasy world through the eyes of Colin McCool. Get your copy today!

Tropes, Parables, Performatives collects J. Hillis Miller’s essays on seven major twentieth-century authors: Lawrence, Kafka, Stevens, Williams, Woolf, Hardy, and Conrad. For all their evident differences, these essays from early to late explore a single intuition about literature, which may be framed by three words: “trope,” “parable,” and “performative.” Throughout these essays Miller is fascinated with the tropological dimension of literary language, with the way figures of speech turn aside the telling of a story or the presentation of a literary theme. The exploration of this turning leads to the recognition that all works of literature are parabolic, “thrown beside” their real meaning. They tell one story but call forth something else. Miller further agrees that all parables are fundamentally performative. They do not merely name something or give knowledge, but rather use words to make something happen, to get the reader from here to there. Each essay here attempts to formulate what, in a given case, the reader perfomatively enters by way of parabolic trope.

What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today. Individual chapters present a range of methodological approaches to understanding national culture and creative labour in global contexts. Through their collective enactment of methodological crosstalk, they demonstrate the productivity of scholarly debate across differences of outlook, culture, and training. In highlighting convergences and disagreements, the book sharpens our understanding of how literary and critical conventions and theories operate within and across cultures.

When the Viking lander on the planet Minerva was destroyed, sending back one last photo of a strange alien being, scientists on Earth were flabbergasted. And so a joint investigation was launched by the United States and the Soviet Union, the first long-distance manned space mission, and a symbol of the new peace between the two great rivals. Humankind's first close encounter with extraterrestrials would be history in the making, and the two teams were schooled in diplomacy as well as in science. But nothing prepared them for alien war—especially when the Americans and the Soviets found themselves on opposite sides. . . . Praise for A World of Difference “A master storyteller.”—Houston Chronicle “[Harry] Turtledove has proved he can divert his readers to astonishing places. he's developed a cult following over the years. . . . I know I'd follow his imagination almost anywhere.”—San Jose Mercury News “Turtledove never tires of exploring the paths not taken, bringing to his storytelling a prodigious knowledge of his subject and a profound understanding of human sensibilities and motivations.”—Library Journal

Theorising Literary Islands is an epistemological study of the development of the Robinsonade genre, its ideological functions within contemporary Anglophone cultural thought, and the role of literary and filmic mediation in constructing twentieth and twenty-first century Euro...

For decades, distinct professional wrestling territories thrived across North America. Each regionally based promotion operated individually and offered a brand of localized wrestling that greatly appealed to area fans. Promoters routinely coordinated with associates in surrounding regions, and the cooperation displayed by members of the National Wrestling Alliance made it easy for wrestlers to traverse the landscape with the utmost freedom. Dozens of territories flourished between the 1950s and late ’70s. But by the early 1980s, the growth of cable television had put new outside pressures on promoters. An enterprising third-generation entrepreneur who believed cable was his opportunity to take his promotion national soon capitalized on the situation. A host of novel ideas and the will to take chances gave Vincent Kennedy McMahon an incredible advantage. McMahon waged war on the territories and raided the NWA and AWA of their top talent. By creating WrestleMania, jumping into the pay-per-view field, and expanding across North America, McMahon changed professional wrestling forever. Providing never-before-revealed information, Death of the Territories is a must-read for fans yearning to understand how McMahon outlasted his rivals and established the industry’s first national promotion. At the same time, it offers a comprehensive look at the promoters who opposed McMahon, focusing on their noteworthy power plays and embarrassing mistakes.