Triumphant Bodies: Sexual-Political Conquest in British Women's Published Writing, 1660-1769 builds on recent scholarship such as Ros Ballaster's Seductive Forms and Catherine Gallagher's Nobody's Story in order to draw attention to professional female authors' use of a pliant vocabulary of sexuality and politics during the eighteenth century. Throughout the study, Smith emphasizes the blending of gendered, sexed, and politicized language a blending that allowed women to provocatively challenge, undermine, and rearticulate the terms of power and authority that were available to them in the literary marketplace. Triumphant Bodies centers on Aphra Behn, Mary Wortley Montagu, Charlotte Lennox, and Frances Brooke, with additional glances toward their contemporaries, including John Dryden, John Wilmot, Earl of Rochester, Delarivier Manley, Henry Fielding, Anne Finch, Mary Leapor, Alexander Pope, Jonathan Swift, and Horace Walpole. Smith positions women's writing within dominant traditions but argues that women writers simultaneously understood themselves s part of a gendered trajectory. By drawing together a diverse and expansive range of texts by women, this study suggests the complexity of any attempt to define women's authorial triumphs during this period of tremendous vigor and transformation in the literary marketplace.

A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.

Bobby Petrocelli's story is one of personal triumph and hope following a devastating tragedy in his life. One night he went to bed in his suburban America (League City, Texas) home a happy man with a loving wife, but when he woke up dazed in his kitchen, his wife was dead and his life changed forever. A pickup had crashed into the wall of his bedroom driven by a man more than twice legally drunk. Now he tells his story nationwide to high school students, speaking of the consequences of drinking and driving.

Analysis of how a religious festival dramatized the subaltern status of indigenous converts and how these converts used this to construct positive colonial identities.

Supers! is a game all about playing costumed heroes - the kinds of hero you see in good old-fashioned comic books. These heroes are larger-than-life; they have high ideals and they know right from wrong. Their world is black-and-white; they are good and the villains are bad. There are no real grey areas. Their cause is justice, liberty and freedom. They seek to protect the weak and defend the common man. Most are loved by all; some are misunderstood and don't get the adoration they feel they deserve. But regardless, they strive to do the right thing and aim to make a difference. This is a straightforward but fun role playing game, with quick character generation and easy-to-understand rules. You can pick up a few dice and be playing SUPERS! within minutes.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”

A New Edition of the Ancient Egyptian Book of the Dead, Perfect for History Buffs, Budding Archaeologists, or Mythology Enthusiasts! The Egyptian Book of the Dead is unquestionably one of the most influential books in all history. Containing the ancient ritual to be performed for the dead with detailed instructions for the behavior of the soul in the afterlife, it served as the most important repository of religious authority for some three thousand years. Chapters were carved on the pyramids of the ancient 5th Dynasty, texts were written in papyrus, and selections were painted on mummy cases well into the Christian era. In a certain sense, it represented all history and research of Egyptian civilization. In the year 1888, Dr. E. A. Wallis Budge, then purchasing agent for the British Museum, followed rumors he heard of a spectacular archaeological find in Upper Egypt, and found in an 18th Dynasty tomb near Luxor a perfectly preserved papyrus scroll. It was a copy of the Egyptian Book of the Dead, written around 1500 B.C. for Ani, Royal Scribe of Thebes, Overseer of the Granaries of the Lords of Abydos, and Scribe of the Offerings of the Lords of Thebes. This Papyrus of Ani is presented here by Dr. Budge. Reproduced in full are a clear copy of the Egyptian hieroglyphs, an interlinear transliteration of their sounds (as reconstructed), a word-for-word translation, and separately a complete smooth translation. All this is preceded by an original introduction of more than 150 pages. This classic material combined with a brand-new foreword by Dr. Foy Scalf of Chicago University gives the reader has a unique opportunity to experience all the fascinating aspects of The Egyptian Book of the Dead.