All zombies are created equal. All zombie stories are not. From its humble beginnings as an indie comic book, The Walking Dead has become a pop culture juggernaut boasting New York Times–bestselling trade paperbacks, a hit television series, and enough fans to successfully take on any zombie uprising. Triumph of The Walking Dead explores the intriguing characters, stunning plot twists, and spectacular violence that make Robert Kirkman's epic the most famous work of the Zombie Renaissance. The Walking Dead novels' co-author Jay Bonansinga provides the inside story on translating the comics into prose; New York Times bestseller Jonathan Maberry takes on the notion of leadership (especially Rick Grimes') during the zombie apocalypse; Harvard professor Steven Schlozman dissects the disturbing role of science in the television series; and more. Triumph of The Walking Dead features a foreword by horror legend Joe R. Lansdale.

Following the events of SOMETHING TO FEAR, Rick and the other survivors accept a new way of life under Negan's rule, but not everyone agrees. Collects THE WALKING DEAD #103-108

The world we knew is gone. The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months society has crumbled: no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the survivors are forced to finally start living. Rick. Ezekiel. Gregory. Negan. Each man holds the fate of their community in their hands... and WAR is on the horizon! This volume collects THE WALKING DEAD #109-114, the prelude to ALL OUT WAR—the epic battle that will change the world of THE WALKING DEAD for years to come

The time has come. The forces are aligning. The war has begun! Has Rick brought about the demise of everything he's built? Or will he triumph once again? Know this...there will be a cost. Collects THE WALKING DEAD #157-162

As the Eisner Award winning series continues, no one in The Community is safe from what happens within its walls. Collects THE WALKING DEAD #79-84

There are 34 brief but meaty chapters ... the last six will really sate the hunger of diehard "Walking Dead" fans. ~ Mekeisha Madden Toby, MSN ReviewsOn the streets of Atlanta, the fight to survive is a daily battle. From the drug-infested corners of one of the city's worst housing projects, to alleyways filled with ravenous zombies-- Blindsided by the Walking Dead examines one man's battle to overcome the violence, drugs, and crime of the 'hood; starting with a young IronE Singleton determined to succeed despite an abusive mother, an absent father, and the temptations of instant gratification inherent with the thug life. Football and Faith in God become IronE's allies in his quest to escape and help him reach for the lights of the University of Georgia's football field and theater stages. After years of struggle--failed businesses, small roles, and an ill-fated trip to Los Angeles--IronE snags his major breakthrough role, playing the kind of drug-dealing, gun-toting thug he would have become on the streets, in The Blind Side. When he is cast as T-Dog on AMC's international mega-hit "The Walking Dead", IronE examines through art what humanity is about and what it means to truly survive against all odds. Alongside cast mates Michael Rooker, Norman Reedus, Jeffrey DeMunn, and Andrew Lincoln, IronE fought, gagged, and sweat his way into the hearts and minds of millions around the world.

From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality. Critics and fans have contended that the show's identity politics have veered toward the decidedly conservative, offering up traditional understandings of masculinity, femininity, heterosexuality, racial hierarchy and white supremacy. This collection of new essays explores the complicated nature of relationships among the story's survivors. In the end, characters demonstrate often-surprising shifts that consistently comment on identity politics. Whether agreeing or disagreeing with critics, these essays offer a rich view of how gender, race, class and sexuality intersect in complex new ways in the TV series and comics.