This book depicts Benjamin Franklin's trip to Paris in 1776 to negotiate America's first foreign alliance and the difficulty of the task.

For forty years, Christo and Jeanne-Claude, the husband-and-wife team behind countless headline-grabbing art projects all over the world, have been challenging our view of the world - natural or man-made - by giving us wrapped creations of dizzying magnitude and daring beauty, such as 'Surrounded Islands', which consisted of enveloping eleven islands with seven square miles of hot pink material. This is the first fully authorised biography of these celebrated and controversial artists, illustrated with 50 b/w photos and one 16-page colour photo insert.

The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.

THE STORY: Princes Leonide, in disguise, arrives in the garden of the philosopher, Hermocrate. She has come to try and win some time in his retreat for she has fallen in love, from afar, with Hermocrate's student, Agis, who is the legitimate prin

With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.

“Rodenberg inventively uses Bonaparte’s own unfinished novel to tell the story of the despot’s rise to power, which she juxtaposes against the story of his last love affair. Told creatively and with excellent research!” —Stephanie Dray, New York Times and USA Today best-selling author of America's First Daughter and The Women of Chateau Lafayette “Beautiful and poignant.” —Allison Pataki, New York Times best-selling author of The Queen’s Fortune With its delightful adaptation of Napoleon Bonaparte’s real attempt to write romantic fiction, Finding Napoleon: A Novel offers a fresh take on Europe’s most powerful man after he’s lost everything—except his last love. A forgotten woman of history—the audacious Countess Albine—helps narrate their tale of intrigue, desire, and betrayal. After the defeated Emperor Napoleon goes into exile on tiny St. Helena Island in the remote South Atlantic, he and his lover, Albine de Montholon, plot to escape and rescue his young son. Banding together enslaved Africans, British sympathizers, a Jewish merchant, a Corsican rogue, and French followers, they confront British opposition—as well as treachery within their own ranks—with sometimes subtle, sometimes bold, but always desperate action. Amid his passions and intrigues, Napoleon finishes his real novel Clisson that he started writing as a young man. Now it's a father's message to the young son whom his enemies took from him, but how can they get it to the boy? When Napoleon and Albine break faith with one another, ambition and Albine’s husband threaten their reconciliation. To succeed, Napoleon must learn whom to trust. To survive, Albine must decide whom to betray. This elegant, richly researched novel reveals the Napoleon history conceals and the Countess Albine history has forgotten.

Prize-winning and bestselling historian Jean Edward Smith tells the “rousing” (Jay Winik, author of 1944) story of the liberation of Paris during World War II—a triumph achieved only through the remarkable efforts of Americans, French, and Germans, racing to save the city from destruction. Following their breakout from Normandy in late June 1944, the Allies swept across northern France in pursuit of the German army. The Allies intended to bypass Paris and cross the Rhine into Germany, ending the war before winter set in. But as they advanced, local forces in Paris began their own liberation, defying the occupying German troops. Charles de Gaulle, the leading figure of the Free French government, urged General Dwight Eisenhower to divert forces to liberate Paris. Eisenhower’s advisers recommended otherwise, but Ike wanted to help position de Gaulle to lead France after the war. And both men were concerned about partisan conflict in Paris that could leave the communists in control of the city and the national government. Neither man knew that the German commandant, Dietrich von Choltitz, convinced that the war was lost, schemed to surrender the city to the Allies intact, defying Hitler’s orders to leave it a burning ruin. In The Liberation of Paris, Jean Edward Smith puts “one of the most moving moments in the history of the Second World War” (Michael Korda) in context, showing how the decision to free the city came at a heavy price: it slowed the Allied momentum and allowed the Germans to regroup. After the war German generals argued that Eisenhower’s decision to enter Paris prolonged the war for another six months. Was Paris worth this price? Smith answers this question in a “brisk new recounting” that is “terse, authoritative, [and] unsentimental” (The Washington Post).