The sequel to Tears of the Moon. The Kimberley - from the red desert to the remote town of Broome - is the backdrop for Kimberley Sun. Lily Barton is beautiful, adventurous and 50-something. She is looking for a complete life change. Sami, her daughter, is 30, driving alone through the outback and finally, reluctantly, confronting her family roots. Together they are swept into a world where legends, myths and reality start to converge. Those who come into their orbit bring stories that change each of them. From Farouz, the old Afghan camel driver, to Bobby, the Chinese/Aboriginal man who is tangled in the murder of a German tourist, to Biddy, the survivor from Captain Tyndall and Olivia's era...and who is the mysterious artist hiding in the desert? All have a secret and all have a story to tell until each finds their place under the Kimberley sun.

"An essential guide."--Seattle Post-Intelligencer

From beloved indie musician Andrew McMahon comes a searingly honest and beautifully written memoir about the challenges and triumphs of his life and career, as seen through the lens of his personal connection to three pianos. Andrew McMahon grew up in sunny Southern California as a child prodigy, learning to play piano and write songs at a very early age, stunning schoolmates and teachers alike with his gift for performing and his unique ability to emotionally connect with audiences. McMahon would go on to become the lead singer and songwriter for Something Corporate and Jack's Mannequin, and to release his debut solo album, Andrew McMahon in the Wilderness, in 2014. But behind this seemingly optimistic and quintessentially American story of big dreams come true lies a backdrop of overwhelming challenges that McMahon has faced—from a childhood defined by his father's struggle with addiction to his very public battle with leukemia in 2005 at the age of twenty-three, as chronicled in the intensely personal documentary Dear Jack. Overcoming those odds, McMahon has found solace and hope in the things that matter most, including family, the healing power of music and the one instrument he's always turned to: his piano. Three Pianos takes readers on a beautifully rendered and bitter-sweet American journey, one filled with inspiration, heartbreak, and an unwavering commitment to shedding our past in order to create a better future.

This is the first academic book ever written on women and body hair, which has been seen until now as too trivial, ridiculous or revolting to write about. Even feminist writers or researchers on the body have found remarkably little to say about body hair, usually ignoring it completely. It would appear that the only texts to elaborate on body hair are guides on how to remove it, medical texts on ‘hirsutism’, or fetishistic pornography on ‘hairy’ women. The last taboo also questions how and why any particular issue can become defined as ‘self-evidently’ too silly or too mad to write about. Using a wide range of thinking from gender theory, queer theory, critical and literary theory, history, art history, anthropology and psychology, the contributors argue that in fact body hair plays a central role in constructing masculinity and femininity and sexual and cultural identities. It is sure to provide many academic researchers with a completely fresh perspective on all of the fields mentioned above.

Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.

'Auto Focus' features the work of 75 contemporary photographers from around the world for whom self-portraiture is a central part of their work. Issues of identity, nationality, sexuality and race are raised by the portraits.