Trickster Academy is a collection of poems that explore being Native in Academia—from land acknowledgement statements, to mascots, to the histories of using Native American remains in anthropology. Jenny L. Davis’ collection brings humor and uncomfortable realities together in order to challenge the academy and discuss the experience of being Indigenous in university classrooms and campuses. Organized around the premise of the Trickster Academy— a university space run by, and meant for training, Tricksters— this collection moves between the personal dynamics of a Two-Spirit/queer Indigenous woman in spaces where there are few, if any, others and a Trickster’s critique of those same spaces. Trickster Academy is playful at times, yet more complicated and salient issues are at the heart of these poems. Davis’ Trickster Academy deeply challenges the institutions that still hold Indigenous remains in their archives and storage rooms, and the insincerities of the academy when it comes to acknowledging Indigenous peoples. The realities that the poems in Trickster Academy address are not only relevant to people in academic positions. From leaving home, to being the only Indian in the room, to having to deal with the constant pressures to being a ‘real Indian’, these poems illuminate the shared experiences of Indians across many regions, and all of us who live amongst Tricksters.

"Trickster Academy is a full-length collection of poems that explore the experience of being Native in Academia-from land acknowledgment statements to the criteria for tenure and the histories of using Native American remains within Anthropology. Organized around the premise of the Trickster Academy, a university space run by and meant for training "tricksters," this collection moves between the personal dynamics of a two-spirit Indigenous woman in spaces where there are few others, and a "trickster's" critique of those same spaces. But these realities aren't specific only to those in academic positions-from leaving home, to being the only Indian in the room, to having to deal with the constant pressures to being a 'real Indian', they are shared experiences of Indians across many different regions, and all of us who live among tricksters"--

A young trainee anthropologist leaves her violent Mafia-run hometown—Youngstown, Ohio—to study an "exotic" group, the Paiute Indians of Nevada. This is 1964; she'll be "the expert," and they'll be "the subjects." The Paiute elders have other ideas. They'll be "the parents." They set themselves two tasks: to help her get a good grade on her project and to send her home quickly to her new bridegroom. They dismiss her research topic and introduce her instead to their spirit creature, the outrageously mischievous rule-breaking trickster, Coyote. Why do the Paiutes love Coyote? Why do Youngstown mill workers vote for Mafia candidates for municipal office? Tricksters become key to understanding how oppressed groups function in a hostile world. For more information visit www.trickster.ie.

New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival.

Tamora Pierce’s New York Times bestselling Trickster’s Choice and Trickster’s Queen are now available in one ebook bind-up. Aly is the teenage daughter of the famed Alanna, the first lady knight in Tortall. Unlike her mother, Aly’s passions lie not on the battlefield, but in the art of spying. Gifted with the skills of a master spy and granted the dubious blessing of a trickster god, she embarks on a most dangerous mission. Little does Aly know that her path is destined to tangle with an age-old prophecy and a deadly underground rebellion.

.."". a first-rate piece of scholarship... an invaluable summary and commentary on the multilingual literature on [Bushman] people."" -- Choice The trickster and trance dancer are the guides through Bushman (or San) religion, a world of ambiguity and contradiction, and of enchantment. The two figures, who in Bushman belief are symbolically equivalent and mystically linked, embody these antistructural traits.

Ken Benally struggles with life's choices: how to decide between two beautiful girls, how to balance the competing demands of school activities, and how to satisfy his overly demanding father. But these challenges are nothing compared to the trouble he faces when a fortune in Native art is stolen, and his mother is a suspect in the case. It seems that the Trickster Coyote has put a curse on Ken, one that threatens all he holds dear. This third book in the CSC series provides information about forensic art techniques, along with gripping suspense.