Preparing the Manor for Halloween festivities, the Charmed Ones cast a spell designed to honor wandering spirits only to have their party interrupted by gate-crashing poltergeists and a not-so-friendly ghost intent on haunting their home and killing a ghost hunter. Original. (A CW series, starring Holly Marie Combs, Alyssa Milano, & Rose McGowan) (Fantasy)

An all-new enemies-to-lovers, sports romance from bestselling author L A Cotton They say your first love leaves a mark. For Calliope James it didn't only leave a mark, it tore out her heart and left it bleeding on the ground. He was her best friend. Her first kiss. Her everything. Until one day, he wasn't. Zachary Messiah will never forget the girl with eyes the color of whiskey. But he's not that boy anymore. Cold. Cruel. He's devoid of emotion. Their paths were never supposed to cross again. But love doesn't always play by the rules. Now he's the King of Steinbeck University and she's the new girl on campus ... and the pasts they have fought so hard to bury are about to collide. Only this time, they might not survive the fallout. On the Rebound is a 100,000-word standalone romance. Content is suitable for readers 17+

Still scared for my life and shaking a bit, I tried to act cool as the breeze... So I picked up a cup and then poured me some tea And said, 'Mine with two sugars please.' 'I'm from down the street, and I'm only a kid; But there's something that you all should know... My parents are twenty times bigger than I. Eat me...you'll end up six feet below!' 'Eat you?' he said with shock and disgust As he swirled his huge claw in his cup. 'You are a boy, and we only eat girls. You'd give us nasty hiccups!' Come enjoy Teatime with Tigers, discover the beauty of the fort kingdom, and hear the tale of the poor pirate. In this engaging lyrical poetry, Lauren Talarico Briffitt will spark the imagination of children and adults alike.

An essential guide to Arabic synonyms, designed to help students broaden and improve their vocabulary.

A valuable, new translation of Machiavellis marvelous satire! Machiavelli writes in the prologue to Clizia that comedies were invented for the dual purpose of amusing and benefiting the audience. Clizia is no exception. It is a raucous comedy about love that extends to the scandalous, but it also contains a serious teaching about managing passions and relationships. Daniel Gallagher provides a lively and readable translation that enables readers to access not only the humor of the play but also makes possible thoughtful study of the plays more serious themes. His consistent and literal rendering of terms and numerous explanatory notes help readers identify Machiavellian curiosities in the language and understand the plays many allusions to religious and Renaissance doctrines. Robert Faulkners introduction sets the stage for examining the complex work of art that is Clizia. He shows how the play mixes Machiavellian instruction with its wit and scandal, and that the malicious and scoffing humor is part of the instruction. In Clizia, as in the better-known Mandragola, Machiavelli intends reform through comedy. It is a reform that mixes liberation with techniques of management, an eerily contemporary reform of private life that complements Machiavellis famous reforms of public life.