Set against the background of civil unrest in the late 1860s after the overthrow of the monarchy - a period of turmoil, brief restoration, and the eventual triumph of the republicans in 1873 - the novel portrays the life of a young girl, Amparo, growing up in the streets of La Corufia, the city Dona Emilia knew so well from her own wanderings there some years earlier.

Publius Clodius Pulcher was a prominent political figure during the last years of the Roman Republic. Born into an illustrious patrician family, his early career was sullied by military failures and especially by the scandal that resulted from his allegedly disguising himself as a woman in order to sneak into a forbidden religious ceremony in the hope of seducing Caesar's wife. Clodius survived this disgrace, however, and emerged as a major political force. He renounced his patrician status and was elected tribune of the people. As tribune, he pursued an ambitious legislative agenda, winning the loyalties of the common people of Rome to such a degree that he was soon able to summon forceful, even violent, demonstrations on his own behalf. The first modern, comprehensive biography of Clodius, The Patrician Tribune traces his career from its earliest stages until its end in 52 B.C., when he was murdered by a political rival. Jeffrey Tatum explores Clodius's political successes, as well as the limitations of his popular strategies, within the broader context of Roman political practices. In the process, Tatum illuminates the relationship between the political contests of Rome's elite and the daily struggles of Rome's urban poor.

One man, born in rural obscurity, destined to become one of Rome's greatest Emperors 26 AD: 16-year-old Vespasian leaves his family farm for Rome, his sights set on finding a patron and following his brother into the army, but he discovers a city in turmoil and an Empire on the brink. The aging emperor Tiberius is in seclusion on Capri, leaving Rome in the iron grip of Sejanus, commander of the Praetorian Guard. Sejanus is ruler of the Empire in all but name, but many fear that isn't enough for him. Sejanus' spies are everywhere—careless words at a dinner party can be as dangerous as a barbarian arrow. Vespasian is totally out of his depth, making dangerous enemies (and even more dangerous friends—like the young Caligula) and soon finds himself ensnared in a conspiracy against Tiberius. With the situation in Rome deteriorating, Vespasian flees the city to take up a position as tribune in an unfashionable legion on the Balkan frontier. Even here, rebellion is in the air and unblooded and inexperienced, Vespasian must lead his men in savage battle with hostile mountain tribes. Vespasian will soon realize that he can't escape Roman politics any more than he can escape his destiny.

A New York Times Bestselling Author My name is Lucius Aurelius Valens, and I am a soldier in the service of Rome. Once a tribune of the Sixth Legion, he has angered those who can take his position -- and his life. To avoid further trouble, he accepts the command of the Third Gallic Cavalry Regiment stationed in far-off Galilee. There Lucius expects a life of long, tedious patrols through the outlying province. No sooner has he arrived, than he stumbles on a massacre of soldiers and the man they were protecting -- a Roman senator and ally of the emperor. But why would such an important person be traveling through that backwater? And who would want him dead?

A landmark narrative history of American media that puts race at the center of the story. Here is a new, sweeping narrative history of American news media that puts race at the center of the story. From the earliest colonial newspapers to the Internet age, America’s racial divisions have played a central role in the creation of the country’s media system, just as the media has contributed to—and every so often, combated—racial oppression. News for All the People reveals how racial segregation distorted the information Americans received from the mainstream media. It unearths numerous examples of how publishers and broadcasters actually fomented racial violence and discrimination through their coverage. And it chronicles the influence federal media policies exerted in such conflicts. It depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press, and then, beginning in the 1970s, forced open the doors of the major media companies. The writing is fast-paced, story-driven, and replete with memorable portraits of individual journalists and media executives, both famous and obscure, heroes and villains. It weaves back and forth between the corporate and government leaders who built our segregated media system—such as Herbert Hoover, whose Federal Radio Commission eagerly awarded a license to a notorious Ku Klux Klan organization in the nation’s capital—and those who rebelled against that system, like Pittsburgh Courier publisher Robert L. Vann, who led a remarkable national campaign to get the black-face comedy Amos ’n’ Andy off the air. Based on years of original archival research and up-to-the-minute reporting and written by two veteran journalists and leading advocates for a more inclusive and democratic media system, News for All the People should become the standard history of American media.