The unmissable series opener from the Queen of crime drama.

Europe on Trial explores the history of collaboration, retribution, and resistance during World War II. These three themes are examined through the experiences of people and countries under German occupation, as well as Soviet, Italian, and other military rule. Those under foreign rule faced innumerable moral and ethical dilemmas, including the question of whether to cooperate with their occupiers, try to survive the war without any political involvement, or risk their lives by becoming resisters. Many chose all three, depending on wartime conditions. Following the brutal war, the author discusses the purges of real or alleged war criminals and collaborators, through various acts of violence, deportations, and judicial proceedings at the Nuremberg International Military Tribunal as well as in thousands of local courts. Europe on Trial helps us to understand the many moral consequences both during and immediately following World War II.

A derelict house is being demolished when workmen discover the remains of a young girl. Walker is far from happy at being assigned the seventeen-year-old murder case. However, things soon hot up when the murder team unearth more skeletons and Walker suddenly finds himself in charge of one of the biggest investigations in recent years.

THE THRILLING PAGE-TURNER FROM INTERNATIONAL BESTSELLER JILLIANE HOFFMAN 'Intensely readable. A tale of personal horror, thrills and vengeance' Guardian One terrible night in New York City, brilliant law student Chloe Larson is brutally attacked in her own home - and her life is changed for ever . . . LIFE OR DEATH? Twelve years later and calling herself CJ, she's a State Attorney in Florida when the hunt for a sadistic serial killer called Cupid appears to be over. But for CJ, the terror is only just beginning . . . KILLER OR VICTIM? Because if Cupid is the same man who left her former self for dead all those years ago, the price of vengeance might be her career - and her sanity. But if he isn't, the truth could cost CJ a whole lot more . . . JUSTICE OR RETRIBUTION? Praise for Jillian Hoffman: 'Grim and gripping' Crimespree 'Writes like an angel' Independent on Sunday 'Hugely readable' Daily Mirror

It’s July 1943 and the world has been at war for almost four long years. One morning, young widow Emmy Penry-Jones discovers two men washed up on the beach below her house on the west coast of Cornwall. Emmy is used to rescuing washed-up sailors, the deadly Battle of the Atlantic exacting a heavy toll on shipping. But these men are not like the shipwrecked sailors she has rescued before and Emmy is soon drawn into a web of intrigue that will test both her ingenuity and her patriotism. Rocked by accusations of war crimes against a man she knows to be innocent, Emmy launches a bid to defend him, all too aware that the accusers could turn on her. The trial marks a turning point and Emmy is drawn further into a deadly cycle of post-war retribution from which only one man can save her.

Golash addresses the value of punishment in contemporary society.

The presentation of Europe's immediate historical past has quite dramatically changed. Conventional depictions of occupation and collaboration in World War II, of wartime resistance and post-war renewal, provided the familiar backdrop against which the chronicle of post-war Europe has mostly been told. Within these often ritualistic presentations, it was possible to conceal the fact that not only were the majority of people in Hitler's Europe not resistance fighters but millions actively co-operated with and many millions more rather easily accommodated to Nazi rule. Moreover, after the war, those who judged former collaborators were sometimes themselves former collaborators. Many people became innocent victims of retribution, while others--among them notorious war criminals--escaped punishment. Nonetheless, the process of retribution was not useless but rather a historically unique effort to purify the continent of the many sins Europeans had committed. This book sheds light on the collective amnesia that overtook European governments and peoples regarding their own responsibility for war crimes and crimes against humanity--an amnesia that has only recently begun to dissipate as a result of often painful searching across the continent. In inspiring essays, a group of internationally renowned scholars unravels the moral and political choices facing European governments in the war's aftermath: how to punish the guilty, how to decide who was guilty of what, how to convert often unspeakable and conflicted war experiences and memories into serviceable, even uplifting accounts of national history. In short, these scholars explore how the drama of the immediate past was (and was not) successfully "overcome." Through their comparative and transnational emphasis, they also illuminate the division between eastern and western Europe, locating its origins both in the war and in post-war domestic and international affairs. Here, as in their discussion of collaborators' trials, the authors lay bare the roots of the many unresolved and painful memories clouding present-day Europe. Contributors are Brad Abrams, Martin Conway, Sarah Farmer, Luc Huyse, László Karsai, Mark Mazower, and Peter Romijn, as well as the editors. Taken separately, their essays are significant contributions to the contemporary history of several European countries. Taken together, they represent an original and pathbreaking account of a formative moment in the shaping of Europe at the dawn of a new millennium.