A charmingly illustrated, alluring biography of the florid-and pocky-cheeked, intensely blue-eyed, chin-scarred, sandpaper-throated British actor who early on played romantic leads but quickly fell into more blustery character roles. The hell-raising, hard-drinking, outsized Howard of later years was born of a Lloyds of London underwriter of whom Howard saw little, and of a mother addicted to travel and globe-hopping and who thus exposed Howard and his sister Merla to such exotic places as Ceylon and Colorado. At a loss for a profession, Howard went to the Royal Academy of Dramatic Art, found acting to be work that fit like a glove; and has remained a dedicated professional ever since. His first ten years were spent as a stage actor, playing Sheridan, Shaw, Shakespeare, and the moderns; his first film role was as a naval officer in The Way Ahead in 1944, for Carol Reed. He is best remembered for his brilliant first starring role as the romantically beleaguered married doctor in the evergreen classic Brief Encounter (1945). Howard's gifts have been squandered in dozens of feeble films, while some of his best work remains unsung. Childless, his marriage to Helen Cherry has lasted since they first played opposite each other onstage in 1943. He is a determinedly private eccentric (and ex-hell-raiser) who never talks shop offstage. A better than average movie bio.

Filmed as The Sea Wolves, this is the story of the undercover exploit of a territorial unit. The Germans had a secret transmitter on one of their ships in the neutral harbour of Goa. Its purpose was to guide the U-boats against Allied shipping.

The Booker Prize winner. “[One of] the top 10 books about the British in India . . . the book is a joy and makes an elegiac farewell to the Raj.” —Ferdinand Mount, The Guardian In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. “Staying On far transcends the events of its central action . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Scott’s vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, The New York Times Book Review “A graceful comic coda to the earlier song of India . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott.” —Paul Gray, Time “Staying On provides a sort of postscript to [Scott’s] deservedly acclaimed The Raj Quartet . . . It is, on any showing, a creditable achievement.” —Malcolm Muggeridge, The New York Times Book Review

Do you long for something more in your relationship with God? Are you struggling to feel the presence of the Holy Spirit? Are you ready to embark on a Spirit-propelled adventure of restoration, renewal and transformation? When we do not experience God’s life within us, our Christianity can deteriorate into a lifeless system of rules and empty rituals. If this describes you at the moment, know that you are not alone. Many spiritual seekers are tired of a superficial faith and yearn to know the fi re of God’s presence burning in their hearts. In Holy Spirit Here and Now Trevor Hudson shares his personal journey and offers practical guidance to help you experience the Holy Spirit moving in your ordinary life. Some of the common hurdles he addresses are: Feeling that the Holy Spirit is only available to religious professionals, but not to you Being put off by negative past experiences with people attempting to push you into an experience of the Holy Spirit Having a sense that something is lacking in your relationship with God Feeling that experiences of God’s Spirit are far removed from our everyday lives Believing that experiencing the Holy Spirit is a once-off event rather than a lifetime journey. Trevor Hudson encourages you to allow every part of your life – your emotions, body, soul, relationships, career – to become an arena where the Holy Spirit can work. This is what it means to be truly fi lled with God’s Spirit.

Despite pleas from his court, a fun-loving king refuses to get out of his bathtub to rule his kingdom.

International Perspectives on the Management of Sport is the first multi-contributed book that addresses the various aspects of sport management by some of the most brilliant experts throughout the world. Drawing on the knowledge of international sport management gurus, this book provides cutting-edge ideas from those at the forefront of the industry. A particular emphasis is placed on the rapidly evolving fields of Organizational Theory and Economic Policy and their relation to sport. Contributors include Wladimir Andreff, Laurence Chalip, Jean-Loup Chappelet, Packianathan Chelladurai, Rodney Fort, Bill Gerard, Dennis Howard, Trevor Slack and many others.

Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.