“In his long career of exploration and scholarship, Hemming has become a powerful advocate for the Amazon.”—The New York Times, John Hemming Amazonia is one of the most magnificent habitats on earth. Containing the world’s largest river, with more water and a broader basin than any other, it hosts a great expanse of tropical rain forest, home to the planet’s most luxuriant biological diversity. The human beings who settled in the region 10,000 years ago learned to live well with its bounty of fish, game, and vegetation. It was not until 1500 that Europeans first saw the Amazon, and, unsurprisingly, the rain forest’s unique environment has attracted larger-than-life personalities through the centuries. John Hemming recalls the adventures and misadventures of intrepid explorers, fervent Jesuit ecclesiastics, and greedy rubber barons who enslaved thousands of Indians in the relentless quest for profit. He also tells of nineteenth-century botanists, fearless advocates for Indian rights, and the archaeologists and anthropologists who have uncovered the secrets of the Amazon’s earliest settlers. Hemming discusses the current threat to Amazonia as forests are destroyed to feed the world’s appetite for timber, beef, and soybeans, and he vividly describes the passionate struggles taking place in order to utilize, protect, and understand the Amazon.

The story of two generations of scientific explorers in South America—Richard Evans Schultes and his protégé Wade Davis—an epic tale of adventure and a compelling work of natural history. In 1941, Professor Richard Evan Schultes took a leave from Harvard and disappeared into the Amazon, where he spent the next twelve years mapping uncharted rivers and living among dozens of Indian tribes. In the 1970s, he sent two prize students, Tim Plowman and Wade Davis, to follow in his footsteps and unveil the botanical secrets of coca, the notorious source of cocaine, a sacred plant known to the Inca as the Divine Leaf of Immortality. A stunning account of adventure and discovery, betrayal and destruction, One River is a story of two generations of explorers drawn together by the transcendent knowledge of Indian peoples, the visionary realms of the shaman, and the extraordinary plants that sustain all life in a forest that once stood immense and inviolable.

In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”

Ben Aaronovitch's bestselling Rivers of London urban fantasy series • “The perfect blend of CSI and Harry Potter.” —io9 Suspicious deaths are not usually the concern of Police Constable Peter Grant or the Folly—London’s police department for supernatural cases—even when they happen at an exclusive party in one of the flats of the most expensive apartment blocks in London. But the daughter of Lady Ty, influential goddess of the Tyburn river, was there, and Peter owes Lady Ty a favor. Plunged into the alien world of the super-rich, where the basements are bigger than the houses, where the law is something bought and sold on the open market, a sensible young copper would keep his head down and his nose clean. But this is Peter Grant we’re talking about. He’s been given an unparalleled opportunity to alienate old friends and create new enemies at the point where the world of magic and that of privilege intersect. Assuming he survives the week…

Nathaniel Tarn's newest collection of poems, Ins and Outs of the Forest Rivers, dives deep into the spiritual and physical sufferings of our global age. After a moving overture, the book unfolds in five sections: "Of the Perfected Angels," with its lucid meditation on Issenheim altarpiece by Matthias Grünewald; "Dying Trees," written out of the horrible loss of hundreds of thousands of trees throughout the American West in recent years; "War Stills," an engagement with the ongoing atrocities in Iraq; "Movement / North of the Java Sea," taking flight from Maui to Bali to Papua New Guinea; and the final section "Sarawak," snaking its way through the river and indigenous anguish of Borneo, where Tarn as poet-anthropologist surveyed the loss of forest lands and its effects on tribal peoples.