"As seen on DVD! King of the Railway, the movie."

A debut middle-grade adventure about a young teen who goes on a treasure hunt for undersea riches to help his ailing abuelo. Twelve-year-old Fernando “Fin” joins his grandfather on a secret quest to find a long-lost treasure swept to sea. But when their first mission takes a near-deadly turn, leaving his abuelo weak and unable to speak, Fin’s left to navigate the hunt alone. Well, not exactly alone—his boring, totally unadventurous dad agrees to help out. With danger lurking at every turn, Fin dives into the mission in order to save Abuelo's life. But between Dad’s constant worrying, unwanted diving babysitters, and harrowing encounters in the deep sea, the boy finds himself in a race against time to locate the treasure. If he can’t succeed? He fears he might lose Abuelo for good. S.A. Rodriguez's Treasure Tracks is a fast-paced story filled with heart and humor about the bonds of family, the meaning of a legacy, and most of all, the discovery of true treasure.

The Hardy brothers investigate after the world's most expensive pen is stolen from their hotel in Paris. Everyone thinks that the thief is the celebrated graffiti artist, Le Stylo, but the brothers are not convinced.

“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.

In the last days of World War II, a thousand year-old trove of artworks and manuscripts, worth $200 million, disappeared from a mineshaft in Germany. Among the missing items were the world-famous Samuhel Gospels, a spectacular gold, silver and jewel encrusted ninth-century manuscript given to the Quedlinburg cloister by Germany's first King and hidden away by Heinrich Himmler in the last days of the Reich. Forty-five years later, in an odyssey that stretched from the insular New York art world, to the quaint medieval town of Quedlinburg in central Germany, to a desolate Texas ghost town, New York Times reporter William Honan uncovered the clues that cracked the biggest and longest unsolved art theft of the century. Now he tells the complete story of how he tracked the thief--a compulsive kleptomaniac American G.I.--along a trail that had grown cold after almost half a century, leading him to the lost art in a small Texas farm town. It is a detective story filled with thrills, chills and laughs; a real-life mystery about the desperate search for the lost treasure, and the scores of art dealers, collectors, lawyers and officials all too easily corrupted by contact with it.

Story of a Marine from boot camp to Vietnam and home again.

The perfect introduction to Thomas the Tank Engine! Let Thomas and his friends help teach your little one about what to do when things don't go to plan. It's a rainy day on Sodor and the tracks are very slippery. The Fat Controller warns the trains to drive slowly, but James wants to race Thomas. Will the trains listen to The Fat Controller or will there be trouble on the tracks?