It’s a dark, stormy night. The stars are out. Jim, the innkeeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in—and her dangerous voyage begins. Robert Louis Stevenson’s classic tale of murder, money, and mutiny is brought to life in this thrilling adaptation.

The National Theatre's Costume department is one of the theatre's largest departments. Their skilled practitioners work in a number of areas including tailoring, dyeing, costume props, costume production and maintenance to produce over 10,000 costume elements every year, transforming a designer's vision for a production into vibrant reality. Costume at the National Theatre is a lavish large-format photographic book featuring the extraordinary work of the Costume department, accompanying the National Theatre's showcase Costume exhibition from October 2019 to June 2020.

Comprehensive, lavishly illustrated reference work provides biographical/career data for major designers (Adrian, Jean Louis, Edith Head, more). Updated to 1988, with over 400 new film credits. 177 illustrations. Index of 6,000 films.

So you read, and read, and read, and read, wishing you could just disappear. But some books don't make you disappear. They make you come alive. Local lad Robbie Stevenson lives in the smallest bedroom of the smallest house on the smallest street of Scotland. He prefers to hide away from the world inside the pages of his favourite book, Treasure Island. But, with a little bit of imagination, the book comes to life, and he is thrust aboard. For some children in Scotland like Robbie, opening their bedroom door each morning requires phenomenal amounts of bravery. Robbie soon finds that you can't stay hiding forever when he must learn to navigate his own course and to discover the world is full of treasure if you're brave enough to look. Ross MacKay's adaptation of the classic story Treasure Island invites you to embark on a global journey along the Forth and Clyde canal and into the vast ocean. Treasure Island is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres. This edition was published to coincide with the Scottish tour starting in September 2024.

You’re six years old. Mum’s in hospital. Dad says she’s “done something stupid.” She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for. 1. Ice cream. 2. Kung Fu movies. 3. Burning things. 4. Laughing so hard you shoot milk out your nose. 5. Construction cranes. 6. Me. You leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own. A play about depression and the lengths we will go to for those we love.

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew. At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.