Second edition of a work that reveals realities behind the foreign aid industry. Schwartz, an anthropologist who has worked with foreign aid agencies in Haiti for extended periods, exposes the fraud, greed, corruption, apathy and political agendas that permeate the industry.

Based on original ethnographic research, this book demonstrates how the process unfolds in contemporary rural Haiti; how intensive work regimes make children necessary; how this necessity conditions sexual behavior, gender relations, and kinship; and why, despite massive contraceptive campaigns, birth rates in rural Haiti continue to be among the highest in the world. Timothy T. Schwartz offers a solution to a demographic paradox that some of the most prominent sociologists and demographers of the twentieth century noted but were never able to explain: among impoverished small farmers, when more men are absent due to male wage migration, the women remaining behind give birth to more, not fewer, babies. Book jacket.

Book Summary Thirsting for sensational stories about hunger, suffering, and violence, the world's most prestigious news agencies-the Associated Press (AP), Agence France-Presse (AFP), Reuters, CNN, CBS, The Guardian-have for decades uncritically repeated anything NGOs, UN agencies, or pseudo-researchers claim about Haiti. No vetting of data. No critical review. In the wake of January 2010 Haiti earthquake these exaggerations and lies erupted on a scale greater than ever before: apocalyptic disaster, machete wielding gangs with faces hidden behind bandannas battling in the streets for loot, dust covered earthquake survivors resurrected from concrete tombs, two million orphans and lost children, sexual predators and slave traders prowling the rubble-strewn slums of Port-au-Prince hunting the children down, marauding bands of armed men beating and raping women and children at will, and sprawling refugee camps infested with every kind of human affliction. The avalanche of exaggerations and outright lies precipitated a tsunami of sympathy and donations, the latter of which mostly disappeared into the coffers of aid agencies, pockets of consultants, flimflam experts, and the Haitian elite. The Great Haiti Humanitarian Aid Swindle is the inside story of how some of the world's most respected humanitarian aid agencies have deceived and manipulated the overseas public regarding what is really happening in Haiti. Sometimes they've done it knowingly, sometimes through self-delusion, but always with the goal of collecting money from sympathetic donors and always by ignoring or burying data that would contradict their fantastic claims. Their greatest ally has been the mainstream press.

“I couldn’t put Dear Haiti, Love Alaine down!” —New York Times bestselling author Jasmine Guillory “An enchanting and engrossing novel full of wit and laughter.” —Edwidge Danticat, author of Breath, Eyes, Memory “Remarkable, funny, and whip-smart.” —Ibi Zoboi, author of American Street, National Book Award finalist “Maika and Maritza Moulite have created quite the masterpiece.” —NPR.org “Alaine’s sarcastic quips...are worth the price of admission alone.” —HYPEBAE “A beautiful story from start to finish.” —Buzzfeed Alaine Beauparlant has heard about Haiti all her life... But the stories were always passed down from her dad—and her mom, when she wasn’t too busy with her high-profile newscaster gig. But when Alaine’s life goes a bit sideways, it’s time to finally visit Haiti herself. What she learns about Haiti’s proud history as the world’s first black republic (with its even prouder people) is one thing, but what she learns about her own family is another. Suddenly, the secrets Alaine’s mom has been keeping, including a family curse that has spanned generations, can no longer be avoided. It’s a lot to handle, without even mentioning that Alaine is also working for her aunt’s nonprofit, which sends underprivileged kids to school and boasts one annoyingly charming intern. But if anyone can do it all...it’s Alaine. “Delightful.” —Essence magazine “Alaine Beauparlant is YA’s new favorite heroine.” —Author Nina Moreno for Bustle “Seamlessly blending story lines and allusions to Haiti’s history and culture, the authors create an indelible, believable character in Alaine—naive, dynamic, and brutally honest—who stretches and grows as her remarkable, affectingly rendered family relationships do.” —Publishers Weekly (starred review) “Sisters Maika and Maritza Moulite deliver a phenomenal coming-of-age story with this stunning novel.” —Booklist (starred review) “Enchanting.” —Kirkus Reviews Winner of a Parent’s Choice Award!

The celebrated physician and anthropologist offers a vivid on-the-ground account of the relief effort in the aftermath of Haiti's earthquake—and issues a powerful call to action. Reprint.

Zombie Files is the true story about the Zombie Hunters Union, a group of Security Specialists who worked together in a hostile environment against criminal gangs in Haiti. They operated in the shadows since an evil cabal rules the country with the power of violent gangs and the black magic of Voodoo. They came together in their fight against the violent street gangs in the worst slums of the northern hemisphere and soon became the biggest threat to the evil forces in power. They were more effective and successful in combating organized kidnapping gangs than thousands of blue helmet soldiers deployed with the United Nations Mission MINUSTAH. The international peacekeeping forces had to follow the directives of the Haitian government, which was controlled by the cabal. The Zombie Hunters Union didn't have directives, officially they never existed. Max Kail was a United Nations Security Officer who wanted to make a difference in his last mission and joined the Zombie Hunters with some of his colleagues. This is his confession.

Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.