Preliminary Material -- TRAVERSING TRANSNATIONALISM /Pier Paolo Frassinelli , Ronit Frenkel and David Watson -- FRICTION AND FRAGMENTS: LOCAL COSMOPOLITANISM IN POSTCOLONIAL MOZAMBIQUE /Pamila Gupta -- VELVET AND VIOLENCE: PERFORMING THE MEDIATIZED MEMORY OF SHANGHAI'S FUTURITY /Amanda Lagerkvist -- TOWARDS AN AESTHETIC POLITICS OF TRANSNATIONAL HISTORY: ASIAN AMERICANS IN A DECOLONIZING HAWAI'I /Bianca Kai Isaki -- IMMIGRATION AND “OPERATIONS”: THE MILITARIZATION (AND MEDICALIZATION) OF THE US-MEXICO BORDER /Sang Hea Kil -- “I HAD FORGOTTEN A CONTINENT”: COSMOPOLITAN MEMORY IN DEREK WALCOTT'S OMEROS /Shane Graham -- LOCAL TRANSNATIONALISMS: ISHTIYAQ SHUKRI'S THE SILENT MINARET AND SOUTH AFRICA IN THE GLOBAL IMAGINARY /Ronit Frenkel -- NOMADIC NARRATIVES: TAWADA YOKO'S JAPANESE-GERMAN FICTION /Tomoko Kuribayashi -- PRIMITIVE ACCUMULATION: UNWRITING DIASPORA IN LAVANYA SANKARAN'S THE RED CARPET /Melissa Tandiwe Myambo -- THE IDENTITY OF IDENTITY AND DIFFERENCE: MODERNISM AND AFRICAN LITERATURE /Nicholas Brown -- WORLD LITERATURE: A RECEDING HORIZON /Pier Paolo Frassinelli and David Watson -- THE ADVENTURES OF A TECHNIQUE: DODECAPHONISM TRAVELS TO BRAZIL /Fabio Akcelrud Durão and José Adriano Fenerick -- WHAT REVOLT IN THE POSTCOLONY TODAY? /Ashleigh Harris -- COSMOPOLITAN SENSUS COMMUNIS: AESTHETIC JUDGMENT AS MODEL FOR POLITICAL JUDGMENT? /Ulrike Kistner -- NOTES ON CONTRIBUTORS -- INDEX.

Goethe in 1827 famously claimed that national literatures did not mean very much anymore, and that the epoch of world literature was at hand. Since the turn of the twenty-first century, in the so-called "transnational turn" in literary studies, interest in world literature, and in how texts move beyond national or linguistic boundaries, has peaked. The authors of the 18 articles making up Literary Transnationalism(s) reflect on how literary texts move between cultures via translation, adaptation, and intertextual referencing, thus entering the field of world literature. The texts and subjects treated range from Caribbean, American, and Latin American literature to European migrant literatures, from the uses of pseudo-translations to the organizing principles of world histories of literature, from the dissemination of knowledge in the middle ages to circulation of literary journals and series in the nineteenth and twentieth centuries. Contributors include, amongst others, Jean Bessière, Johan Callens, Reindert Dhondt, César Domínguez, Erica Durante, Ottmar Ette, Kathleen Gyssels, Reine Meylaerts, and Djelal Kadir. Authors discussed comprise, amongst others, Carlos Fuentes, Ernest Hemingway, Edouard Glissant.

National borders and transnational forces have been central in defining the meaning of race in the Americas. Race and Transnationalism in the Americas examines the ways that race and its categorization have functioned as organizing frameworks for cultural, political, and social inclusion—and exclusion—in the Americas. Because racial categories are invariably generated through reference to the “other,” the national community has been a point of departure for understanding race as a concept. Yet this book argues that transnational forces have fundamentally shaped visions of racial difference and ideas of race and national belonging throughout the Americas, from the late nineteenth century to the present. Examining immigration exclusion, indigenous efforts toward decolonization, government efforts to colonize, sport, drugs, music, populism, and film, the authors examine the power and limits of the transnational flow of ideas, people, and capital. Spanning North America, Central America, South America, and the Caribbean, the volume seeks to engage in broad debates about race, citizenship, and national belonging in the Americas.

European identity is as much a problem as an opportunity. Although it is impossible to provide an all-encompassing definition of what it means to be European, historicising and contextualising this problem may well lead to the clarification and even creation of a European identity. This is the contention of this volume, which approaches this complex notion from an inter- and transdisciplinary perspective, examining facets ranging from the citizen to cultural politics, from literature to traditional and digital media, from the US to China. As complex as this idea is, this volume will extend the reader’s understanding of the timely and promising problematisation of what may be termed “European identity.”

This is the first systematic study of networks of performance collaboration in the contemporary Chinese-speaking world and of their interactions with the artistic communities of the wider East Asian region. It investigates the aesthetics and politics of collaboration to propose a new transnational model for the analysis of Sinophone theatre cultures and to foreground the mobility and relationality of intercultural performance in East Asia. The research draws on extensive fieldwork, interviews with practitioners, and direct observation of performances, rehearsals, and festivals in Asia and Europe. It offers provocative close readings and discourse analysis of an extensive corpus of hitherto untapped sources, including unreleased video materials and unpublished scripts, production notes, and archival documentation.

Transnational East Asian Studies demonstrates how transnationalism as a mode of intellectual enquiry has wide-ranging interdisciplinary potential and has immense value when examining the past, just as much as much as when examining the present. Artificially erected borders, which appear on maps and globes, fail to consider the ways people in diverse regions live and practice their everyday lives, existing beyond boundaries. The people of East Asia have always been on the move, they have never been homogeneous, and have evolved together, not apart. In this sense, people around the globe and also in East Asia have always been involved in a process of change and transformation. Hence, transnationalism is a way to overcome methodological nationalism, not only as a concept of identity and spatiality, but also as a concept temporally situated in the modern, because as a methodology, transnationalism does not take the national as a precondition. It allows us to move beyond and across borders, and to examine how ideas have been used and transformed in different contexts. This book thus underscores the complex interactions in the context of East Asia, past and present, while shaping the future of this complicated region.

This book explores women’s editorial and salon activities in Southern Europe and provides a comparative view of their practices. It argues that women in Spain, Italy, Portugal and Greece used their double role as editors and salonnières to engage with foreign cultures, launch the careers of promising young authors and advocate for modernization and social change. By examining a neglected body of periodicals edited between 1860 and 1920, this book sets out to explore women’s editorial agendas and their interest in creating a connection between salon life and the print press. What purpose did this connection serve? How did women editors use their periodicals and their salons to create opportunities for cross-cultural exchange? In what ways did women use their double role as editors and salonnières to promote modernization and social progress in Southern Europe? By addressing these questions, this monograph contributes to the recent expansion of scholarship on nineteenth and twentieth-century periodicals and opens new avenues for theoretical reflection on European modernity. It also invites scholars and non-specialist readers to question the center vs. periphery model and to consider Southern European counties as cultural hubs in their own right.