As the study of travel writing has grown in recent years, scholars have largely ignored the literature of modernist writers. Modernist Travel Writing: Intellectuals Abroad, by David Farley, addresses this gap by examining the ways in which a number of writers employed the techniques and stylistic innovations of modernism in their travel narratives to variously engage the political, social, and cultural milieu of the years between the world wars. Modernist Travel Writing argues that the travel book is a crucial genre for understanding the development of modernism in the years between the wars, despite the established view that travel writing during the interwar period was largely an escapist genre—one in which writers hearkened back to the realism of nineteenth-century literature in order to avoid interwar anxiety. Farley analyzes works that exist on the margins of modernism, generically and geographically, works that have yet to receive the critical attention they deserve, partly due to their classification as travel narratives and partly because of their complex modernist styles. The book begins by examining the ways that travel and the emergent travel regulations in the wake of the First World War helped shape Ezra Pound’s Cantos. From there, it goes on to examine E. E. Cummings’s frustrated attempts to navigate the “unworld” of Soviet Russia in his book Eimi,Wyndham Lewis’s satiric journey through colonial Morocco in Filibusters in Barbary,and Rebecca West’s urgent efforts to make sense of the fractious Balkan states in Black Lamb and Grey Falcon. These modernist writers traveled to countries that experienced most directly the tumult of revolution, the effects of empire, and the upheaval of war during the years between World War I and World War II. Farley’s study focuses on the question of what constitutes “evidence” for Pound, Lewis, Cummings, and West as they establish their authority as eyewitnesses, translate what they see for an audience back home, and attempt to make sense of a transformed and transforming modern world. Modernist Travel Writing makes an original contribution to the study of literary modernism while taking a distinctive look at a unique subset within the growing field of travel writing studies. David Farley’s work will be of interest to students and teachers in both of these fields as well as to early-twentieth-century literary historians and general enthusiasts of modernist studies.

Claire Mowat and her husband, Farley, spent the first five years of their marriage living in an isolated Newfoundland outport. It was out of that experience that Claire Mowat was inspired to write her acclaimed memoir The Outport People. As Farleys writing career took off, they decided to return to Ontario, to be closer to the publishing world. Farley and Claire settled down to raise a family in the picturesque town of Port Hope, where Farleys mother was living. After the tragic stillborn death of their first and only child, Farley persuaded Claire to leave Port Hope and go with him to the Magdalen Islands to make a film with the CBC on lobster fishing. They immediately fell in love with the windswept islands in the Gulf of St. Lawrence. Soon they had bought a house there, on the edge of one of the only English-speaking communities in the archipelago. Their Magdalen Island home became an exotic destination for friends and luminaries of the periodPierre and Margaret Trudeau arrived by helicopter one afternoon, although most visitors took the ferry from Prince Edward Island.With a nod to John Steinbecks Travels with Charley, Claire Mowat has crafted a second memoir as charming and insightful as the first, providing an intimate portrait of a marriage and a window on Farley Mowats writing life during the period in which he wrote A Whale for the Killing and Sibir, and began the research for Sea of Slaughter.

Read David Farley's posts on the Penguin Blog.A tour through the centuries and through a bizarre Italian town in search of an unbelievable relic: the foreskin of Jesus Christ In December 1983, a priest in the Italian hill town of Calcata shared shocking news with his congregation: the pride of their town, the foreskin of Jesus, had been stolen. Some postulated that it had been stolen by Satanists. Some said the priest himself was to blame. Some even pointed their fingers at the Vatican. In 2006, travel writer David Farley moved to Calcata, determined to find the missing foreskin, or at least find out the truth behind its disappearance. Farley recounts how the relic passed from Charlemagne to the papacy to a marauding sixteenth-century German solider before finally ending up in Calcata, where miracles occurred that made the sleepy town a major pilgrimage destination. Blending history, travel, and perhaps the oddest story in Christian lore, An Irreverent Curiosity is a weird and wonderful tale of conspiracy and misadventure.

In 1953, Farley Mowat, a Canadian infantryman during World War II, returned to Europe, a place he only knew during the ravages of wartime. Together with his wife, he returns to England, France, and Italy to reexamine the past and find hope in the future. This is a unique and compellingly look at a world that has undergone dramatic changes in the last fifty years, described in vintage Farley Mowat style.

This classic gathers 200 hilarious Yosemite-based cartoon strips, featuring do-good ranger Farley and a remarkably aberrant cast. Covering over ten years of recent Yosemite history, the cartoons chronicle the day-to-day activities at the park with amazing insight and loads of humor.

A visual and anecdotal exploration of the curious worlds hidden beneath our feet, including ancient cities, salt mine cathedrals, underground amusement parks, and more. From bone-filled catacombs to sculpted salt churches to hand-carved cave complexes large enough to house 20,000 people, Underground Worlds is packed with more than 50 unusual destinations that take some digging to find. Award-winning travel writer David Farley revels in the unexpected, whether it is a cave city in China which houses one of the world's largest collections of Buddhist art or an old salt mine converted into a theme park in Romania. Stunning photos help readers see places they could not even imagine, such as a three-story underground train station in Taiwan that is home to the a 4,500-panel "Dome of Light" that is the largest glasswork on Earth, as well as secret spaces, such as an ornate temple built beneath a suburban home in Italy. Throughout the fascinating text are themed entries of underground systems such as the 2,500-year-old water tunnels of Kish Qanat in Iran or engineering marvels like the New York City steam tunnels.