Travels Into Dalmatia created a sensation across Western Europe when it was published in 1778: it reintroduced one half of the continent to its eastern neighbor. Italian abbe ALBERTO FORTIS (1655-1735) traveled through Dalmatia-today part of Croatia and Montenegro-and shared his observations on the natural history and culture of those unknown lands in letters to John Strange, the Bishop of Londonderry, and other clergy. Among the many extraordinary places he explores, customs he discusses, and oddities he comes across: . the islands of Ulbo and Selve . the city of Zara . Trajan's aqueduct . the castle of Urana . the ruins of Afferia . the superstitions of the Morlacchi . the noxious insects of Trau . meteors in the Primorie . the plants on the islands of Cherso and Osero . and much more. Students of natural history and the history of Eastern Europe will find this a fascinating work.

"My Mother's Side: A Journey to Dalmatia" is a travel-memoir set in the exquisite southern Mediterranean city of Split, Croatia, on the Adriatic Sea, where the author, on a bicycle trip with his son, accidentially discovers his ancestral village -- Stobrec -- the birthplace of his maternal grandmother, an ancient and thriving fishing village inhabited, shockingly, by dozens of his cousins who warmly welcome him into their lives. This profound discovery of a beautiful family and a simple way of life takes place amidst the malfeasance and fear of the financial crisis of 2008 and a period of challenging midlife transition. The author would learn from his Dalmatian kin what matters -- family, love, and community -- and how to deal with adversity. The author is a noted travel writer whose work has been praised by the New York Times, Gourmet, and the Wine Advocate.

In Mediterranean Winter, Robert D. Kaplan, the bestselling author of Balkan Ghosts and Eastward to Tartary, relives an austere, haunting journey he took as a youth through the off-season Mediterranean. The awnings are rolled up and the other tourists are gone, so the damp, cold weather takes him back to the 1950s and earlier—a golden, intensely personal age of tourism. Decades ago, Kaplan voyaged from North Africa to Italy, Yugoslavia, and Greece, luxuriating in the radical freedom of youth, unaccountable to time because there was always time to make up for a mistake. He recalls that journey in this Persian miniature of a book, less to look inward into his own past than to look outward in order to dissect the process of learning through travel, in which a succession of new landscapes can lead to books and artwork never before encountered. Kaplan first imagines Tunis as the glow of gypsum lamps shimmering against lime-washed mosques; the city he actually discovers is even more intoxicating. He takes the reader to the ramparts of a Turkish kasbah where Carthaginian, Roman, and Byzantine forts once stood: “I could see deep into Algeria over a rib-work of hills so gaunt it seemed the wind had torn the flesh off them.” In these austere and aromatic surroundings he discovers Saint Augustine; the courtyards of Tunis lead him to the historical writings of Ibn Khaldun. Kaplan takes us to the fifth-century Greek temple at Segesta, where he reflects on the ill-fated Athenian invasion of Sicily. At Hadrian’s villa, “Shattered domes revealed clouds moving overhead in countless visions of eternity. It was a place made for silence and for contemplation, where you wanted a book handy. Every corner was a cloister. No view was panoramic: each seemed deliberately composed.” Kaplan’s bus and train travels, his nighttime boat voyages, and his long walks in one archaeological site after another lead him to subjects as varied as the Berber threat to Carthage; the Roman army’s hunt for the warlord Jugurtha; the legacy of Byzantine art; the medieval Greek philosopher Georgios Gemistos Plethon, who helped kindle the Italian Renaissance; twentieth-century British literary writing about Greece; and the links between Rodin and the Croa- tian sculptor Ivan Mestrovic. Within these pages are smells, tastes, and the profundity of chance encounters. Mediterranean Winter begins in Rodin’s sculpture garden in Paris, passes through the gritty streets of Marseilles, and ends with a moving epiphany about Greece as the world prepares for the 2004 Summer Olympics in Athens. Mediterranean Winter is the story of an education. It is filled with memories and history, not the author’s alone, but humanity’s as well.

This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.