The essential field guide to the raptors of Mexico and Central America Raptors are among the most challenging birds to identify in the field due to their bewildering variability of plumage, flight silhouettes, and behavior. Raptors of Mexico and Central America is the first illustrated guide to the region's 69 species of raptors, including vagrants. It features 32 stunning color plates and 213 color photos, and a distribution map for each regularly occurring species. Detailed species accounts describe key identification features, age-related plumages, status and distribution, subspecies, molt, habitats, behaviors, potential confusion species, and more. Raptors of Mexico and Central America is the essential field guide to this difficult bird group and the ideal travel companion for anyone visiting this region of the world. Covers all 69 species of raptors found in Mexico and Central America Features 32 color plates and hundreds of color photos Provides multiple illustrations of each species Depicts and describes variations in plumage by individual, morph, age, and region Describes behavior, food preferences, hunting strategies, vocalizations, and molt Covers rare and extralimital species Includes distribution maps and flight silhouettes

Internationally renowned essayist and cultural commentator Ilan Stavans spent five years traveling from across a dozen countries in Latin America, in search of what defines the Jewish communities in the region, whose roots date back to Christopher Columbus’s arrival. In the tradition of V.S. Naipaul’s explorations of India, the Caribbean, and the Arab World, he came back with an extraordinarily vivid travelogue. Stavans talks to families of the desaparecidos in Buenos Aires, to “Indian Jews,” and to people affiliated with neo-Nazi groups in Patagonia. He also visits Spain to understand the long-term effects of the Inquisition, the American Southwest habitat of “secret Jews,” and Israel, where immigrants from Latin America have reshaped the Jewish state. Along the way, he looks for the proverbial “seventh heaven,” which, according to the Talmud, out of proximity with the divine, the meaning of life in general, and Jewish life in particular, becomes clearer. The Seventh Heaven is a masterful work in Stavans’s ongoing quest to find a convergence between the personal and the historical.

Geography is essential to a child's education. And basic to that study is a simple outline of provinces, countries and continents. In Draw Mexico, Central & South America I have tried to give students an easy introduction to committing the map of Mexico, Central & South America to memory. Through simple, step-by-step instructions, students learn to draw each area as they connect to their neighbors and, with a little practice, will be able to draw Mexico, Central & South America as a whole.

How colonial mapping traditions were combined with practices of nineteenth-century visual culture in the first maps of independent Mexico, particularly in those created by the respected cartographer Antonio Garc&ía Cubas.

Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims retraces the steps of five intrepid “lady travelers” who ventured into the geography of the New World—Mexico, the Southern Cone, Brazil, and the Caribbean—at a crucial historical juncture, the period of political anarchy following the break from Spain and the rise of modernity at the turn of the twentieth century. Traveling as historians, social critics, ethnographers, and artists, Frances Erskine Inglis (1806–82), Maria Graham (1785–1842), Flora Tristan (1803–44), Fredrika Bremer (1801–65), and Adela Breton (1849–1923) reshaped the map of nineteenth-century Latin America. Organized by themes rather than by individual authors, this book examines European women’s travels as a spectrum of narrative discourses, ranging from natural history, history, and ethnography. Women’s social condition becomes a focal point of their travels. By combining diverse genres and perspectives, women’s travel writing ushers a new vision of post-independence societies. The trope of pilgrimage conditions the female travel experience, which suggests both the meta-end of the journey as well as the broader cultural frame shaping their individual itineraries.