Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos' role in contemporary art galleries to their political interventions -the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video's audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.

I spy with my little eye, you can hear with your little ear, A bright red truck goes rumble rumble rumble. A yellow school bus goes beep beep beep.

Neil Peart decided to drive his BMW Z-8 automobile from L.A. to Big Bend National Park, in Southwest Texas. As he sped along “between the gas-gulping SUVs and asthmatic Japanese compacts clumping in the left lane, and the roaring, straining semis in the right,” he acted as his own DJ, lining up the CDs chronologically and according to his possible moods. “Not only did the music I listened to accompany my journey, but it also took me on sidetrips, through memory and fractals of associations, threads reaching back through my whole life in ways I had forgotten, or had never suspected…. Sifting through those decades and those memories, I realized that I wasn’t interested in recounting the facts of my life in purely autobiographical terms, but rather … in trying to unweave the fabric of my life and times. As one who was never much interested in looking back, because always too busy moving forward, I found that once I opened those doors to the past, I became fascinated with the times and their effect on me. The songs and the stories I had taken for granted suddenly had a resonance that had clearly echoed down the corridors of my entire life, and I felt a thrill of recognition, and the sense of a kind of adventure. A travel story, but not so much about places, but about music and memories.”

The ideal handbook for every rock-n-roll pilgrim, Music USA tours the musical heritage of America, from New York to Seattle, stopping at all the shrines of sound in between. Coverage includes background on the development of local music styles, with details on clubs and venues, radio stations and record stores nationwide.

Following My Thumb follows the wandering, rambling, bumbling travels of Gabriel Morris from 1990-2000. In the summer of 1990, at the age of 18, he sets off to Europe with his over-sized backpack, thumb guiding the way. He hitchhikes the entire length of Great Britain, sleeps in barns, on bridges and beaches and under benches, explores the Greek Isles, sneaks into a Parisian movie theater, spends a night at the center of the Place de la Concorde roundabout, and more. In Part 2 of the book, he spends the bulk of the mid-1990s as a wandering traveler back home in the United States, searching for something elusive: a place to call home, a community, love, adventure, meaning, purpose. He both finds and loses all to varying degrees as he attends tribal Rainbow Gatherings in the woods, falls in and out of love on the road, lives on farms and communes, and spends several months in an idyllic valley, far from civilization in the Hawaiian rainforest. The book culminates with his amazing and thought-provoking travels in the mystical land of India. ,

This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.

Dump Truck Daisy and her construction vehicle crew are on a secret nighttime mission — build a playground before sunrise! Detailed endnotes provide additional information about construction vehicles and inclusive playgrounds. Vibrant artwork and a catchy disco tune and animation make this a stellar choice for any child who is fascinated by construction vehicles.