"Traveler of the Century" is a deeply philosophical novel, chock-full of discussions about philosophy, history, and literature with pillow talk about love and translation. It is a book that looks to the past in order to have us reconsider our present.

Ross Dunn's classic retelling of the travels of Ibn Battuta, a Muslim of the 14th century.

"The author brings to life the stories of the greatest women adventurers in history. Crossing five continents, these indomitable women faced unimaginable dangers, from deserts and jungles to mountains and icebergs, often armed with little in the way of specialist equipment other than an umbrella and a "good, thick skirt". Spanning a century, this book mixes triumph and tragedy as it follows these heroines' extraordinary adventures. Archival photographs and extracts from diaries, journals, letters, and other writings thrillingly bring to life the unquenchable spirit of adventure of these courageous women."--Global Books in Print.

LEAP INTO THE FUTURE, AND SHOOT BACK TO THE PAST H. G. Wells’s seminal short story “The Time Machine,” published in 1895, provided the springboard for modern science fiction’s time travel explosion. Responding to their own fascination with the subject, the greatest visionary writers of the twentieth century penned some of their finest stories. Here are eighteen of the most exciting tales ever told, including “Time’s Arrow” In Arthur C. Clarke’s classic, two brilliant physicists finally crack the mystery of time travel—with appalling consequences. “Death Ship” Richard Matheson, author of Somewhere in Time, unveils a chilling scenario concerning three astronauts who stumble upon the conundrum of past and future. “Yesterday was Monday” If all the world’s a stage, Theodore Sturgeon’s compelling tale follows the odyssey of an ordinary joe who winds up backstage. “Rainbird” R.A. Lafferty reflects on what might have been in this brainteaser about an inventor so brilliant that he invents himself right out of existence. “Timetipping” What if everyone time-traveled except you? Jack Dann provides some surprising answers in this literary gem. . . . as well as stories by Poul Anderson • L. Sprague de Camp • Joe Haldeman • John Kessel • Nancy Kress • Henry Kuttner • Ursula K. Le Guin • Larry Niven • Charles Sheffield • Robert Silverberg • Connie Willis By turns frightening, puzzling, and fantastic, these stories engage us in situations that may one day break free of the bonds of fantasy . . . to enter the realm of the future: our future. Note: "A Sound of Thunder" by Ray Bradbury and "I'm Scared" by Jack Finney are not included in this edition.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum. In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain "postcolonial" and "tribal" identities in contexts of domination and globalization. Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation.