In his new collection of poetry, 'Travel Light Travel Dark', John Agard casts his unique spin on the intermingling strands of British history, and leads us into metaphysical and political waters. Cross-cultural connections are played out in a variety of voices and candences.

Diagnosed as bipolar at twenty-three, a young journalist struggles for a decade, fighting a cycle of depression and euphoria. In this unique journey, we visit former loves and eccentric fellow sufferers, mental health institutions and Benares. We relive his moments with Diana Eck and Deepika Padukone-and his reckonings with past wounds. Part confession, part joyride and wholly enjoyable, this riveting debut announces a formidable new talent. Nevatia is a master storyteller, empathetic, intelligent and witty. Here is the story of owning your narrative, no matter how difficult and complicated it is. Here is How to Travel Light.

One of the best travel writers now at work in the English language brings back the sights and sounds from a dozen different frontiers. A cryptic encounter in the perfumed darkness of Bali; a tour of a Bolivian prison, conducted by an enterprising inmate; a nightmarish taxi ride across southern Yemen, where the men with guns may be customs inspectors or revolutionaries–these are just three of the stops on Pico Iyer’s latest itinerary. But the true subject of Sun After Dark is the dislocations of the mind in transit. And so Iyer takes us along to meditate with Leonard Cohen and talk geopolitics with the Dalai Lama. He navigates the Magritte-like landscape of jet lag, “a place that no human had ever been until forty or so years ago.” And on every page of this poetic and provocative book, he compels us to redraw our map of the world.

The Darker Side of Travel is a contemporary and comprehensive analysis of dark tourism. Drawing on existing literature, numerous examples and introducing new conceptual perspectives, it develops a theoretically informed foundation for examining the demand for and supply of dark tourism experiences. It also explores issues relevant to the development, management and interpretation of visitor sites and attractions associated with death, disaster and suffering.

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.

In humanity's future, intelligence thrives from the Oort-cloud fringes of star systems to the furnaces beneath planetary crusts--not on the surfaces. There are differences among the powerful intelligences on how to deal with surface life-forms such as human beings. When humans finally achieve space travel, they become involved in the politics of the gods.