Thomas Brennan finds roots of the 'sensibility of trauma' by returning to the work of Wordsworth, Tennyson, and Eliot. By reading these poets of mourning through the framework of trauma, Brennan reflects on our traumatized moment and weighs two potential responses - the fantasy of transcendence and the ethic of trust.

Thomas Brennan finds roots of the 'sensibility of trauma' by returning to the work of Wordsworth, Tennyson, and Eliot. By reading these poets of mourning through the framework of trauma, Brennan reflects on our traumatized moment and weighs two potential responses - the fantasy of transcendence and the ethic of trust.

Trauma theory has become a burgeoning site of research in recent decades, often demanding interdisciplinary reflections on trauma as a phenomenon that defies disciplinary ownership. While this research has always been challenged by the temporal, affective, and corporeal dimensions of trauma itself, trauma theory now faces theoretical and methodological obstacles given its growing interdisciplinarity. Trauma and Transcendence gathers scholars in philosophy, theology, psychoanalysis, and social theory to engage the limits and prospects of trauma’s transcendence. This volume draws attention to the increasing challenge of deciding whether trauma’s unassimilable quality can be wielded as a defense of traumatic experience against reductionism, or whether it succumbs to a form of obscurantism. Contributors: Eric Boynton, Peter Capretto, Tina Chanter, Vincenzo Di Nicola, Ronald Eyerman, Donna Orange, Shelly Rambo, Mary-Jane Rubenstein, Hilary Jerome Scarsella, Eric Severson, Marcia Mount Shoop, Robert D. Stolorow, George Yancy.

This volume gathers scholars in philosophy, psychology, religion, and sociology variety of disciplines to meet the challenge of how to think trauma and transcendence inlight of the interdisciplinary character of the field of Trauma Studies and its splintering across the multiple theoretical approaches.

The first study of the productions of the minor theatres, how they were adapted to appeal to the local patrons and the audiences who worked and lived in these communities.

Nichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Romantic and Victorian thinkers, as well as contemporary scholarship, he draws new conclusions about 21st-century ideas of nature.