Perhaps no other industrial technology changed the course of Mexican history in the United States--and Mexico--than did the coming of the railroads. Tens of thousands of Mexicans worked for the railroads in the United States, especially in the Southwest and Midwest. Construction crews soon became railroad workers proper, along with maintenance crews later. Extensive Mexican American settlements appeared throughout the lower and upper Midwest as the result of the railroad. The substantial Mexican American populations in these regions today are largely attributable to 19th- and 20th-century railroad work. Only agricultural work surpassed railroad work in terms of employment of Mexicans. The full history of Mexican American railroad labor and settlement in the United States had not been told, however, until Jeffrey Marcos Garcílazo's groundbreaking research in Traqueros. Garcílazo mined numerous archives and other sources to provide the first and only comprehensive history of Mexican railroad workers across the United States, with particular attention to the Midwest. He first explores the origins and process of Mexican labor recruitment and immigration and then describes the areas of work performed. He reconstructs the workers' daily lives and explores not only what the workers did on the job but also what they did at home and how they accommodated and/or resisted Americanization. Boxcar communities, strike organizations, and "traquero culture" finally receive historical acknowledgment. Integral to his study is the importance of family settlement in shaping working class communities and consciousness throughout the Midwest.

In 1912 a thin line of Russian soldiers, confronted by a large crowd of gold miners on strike for several weeks, reacted with fear and anger. At their officers’ orders, they opened fire, shooting five hundred unarmed protestors. The event reverberated across Russia. The Lena goldfields massacre can be viewed from several distinct viewpoints, each presenting a contrasting story. Author Michael Melancon avoids prematurely picking a “right” way of looking at the massacre. Instead, he explores all aspects of the incident, from the despair of the miners at the poor conditions they faced, to the calculations and priorities of the mining entrepreneurs and state officials, and even the rationale of the soldiers who pulled the triggers. The Lena Goldfields Massacre and the Crisis of the Late Tsarist State will appeal to anyone interested in labor relations, in revolutionary movements, and in transitions associated with modernization. Its comparative framework will be helpful for generalists and Europeanists. It will also provide food for thought for those who seek a carefully researched examination of Russian society during the early twentieth century.

This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.

Becoming Mexican in early-twentieth-century Chicago

Introduction : the roots and routes of American deportation -- Building the deportation state -- Eastbound -- Westbound.

"A sexy, emotional, and pitch-perfect romance." —NPR on Lush Money Opposites attract in this rivals-to-lovers romance from Lush Money author Angelina M. Lopez Guapo pobrecito her grandmother calls him. The “poor handsome man.” Professor Jeremiah Post, the poor handsome man, is in fact standing in the way of Alejandra “Alex” Torres turning Loretta’s, her grandmother’s bar, into a viable business. The hot brainiac who sleeps in one of the upstairs tenant rooms already has all of her Mexican American family’s admiration; she won’t let him have the bar and building she needs to resurrect her career, too. Alex blowing into town has rocked Jeremiah to his mild-mannered core, but the large, boisterous Torres clan is everything he never had. He doesn’t believe Alex has the best interest of her family, their community, or the bar’s legacy in mind. To protect all three, he’ll stand up to the tough and tattooed bartender with whom he now shares a bedroom wall—and resist the insta-lust they both feel. But when an old enemy threatens Loretta’s and the surrounding neighborhood, Alex and Jeremiah must combine forces. It will take her might and his mind to save the home they both desperately need. "Sparks fly and tempers flare in this passionate, un-put-downable rivals-to-lovers romance that launches a sizzling new series...Lopez seamlessly blends high-heat romance with discussions of Alex’s heritage and the fascinating history of 19th-century Mexican immigrants to the Kansas plains. This is a treasure." —Publishers Weekly, starred review