Looking at the US, New Zealand, and Central America, this book considers how cultural politics has been deeply reworked in our contemporary media environment. The authors analyze how rampant technological convergence has allowed stories to spill across media platforms as well as geographical borders and how those stories reemerge as transmediated events. The authors explore the cultural politics that have developed within this new media environment by moving across the mediated landscapes of the first, third, and fourth (Indigenous people’s) worlds, which are deeply intertwined and interconnected under contemporary conditions of neoliberal globalization and emergent regimes of authoritarian postdemocracy. The book attends both to the platforms and digital networks of the new media environment and to the cultural forms and practices that have constituted television as the dominant medium of communication throughout the second half of the twentieth century. In the new media environment, transmediation works on behalf not only of those corporate megaconglomerates that have become all too familiar to media consumers around the world but also of many communities that have previously been excluded from access to the means of electronic textual production and circulation. For the latter, grassroots transmediation has become an important technique for the production of cultural citizenship.

This timely research handbook offers a systematic and comprehensive examination of the election laws of democratic nations. Through a study of a range of different regimes of election law, it illuminates the disparate choices that societies have made concerning the benefits they wish their democratic institutions to provide, the means by which such benefits are to be delivered, and the underlying values, commitments, and conceptions of democratic self-rule that inform these choices.

Disney – This name stands not only for a company that has had global reach from its early days, but also for a successful aesthetic programme and ideological positions that have had great commercial success but at the same time have been frequently criticised. Straddling traditionalism and modernism, Disney productions have proven adaptable to social discourses and technical and media developments throughout its history. This volume brings together scholars from several European countries to explore various dimensions that constitute ‘Disney.’ In line with current media and cultural studies research, the chapters deal with human-human and human-animal relations, gender and diversity, iconic characters and narratives, Disney’s contribution to cultural and visual heritage, and transmedial and transfictional spaces of experience and practices of participation associated with Disney story worlds.

Although there are human geographers who have previously written on matters of media and communication, and those in media and communication studies who have previously written on geographical issues, this is the first book-length dialogue in which experienced theorists and researchers from these different fields address each other directly and engage in conversation across traditional academic boundaries. The result is a compelling discussion, with the authors setting out statements of their positions before responding to the arguments made by others. One significant aspect of this discussion is a spirited debate about the sort of interdisciplinary area that might emerge as a focus for future work. Does the already-established idea of communication geography offer the best way forward? If so, what would applied or critical forms of communication geography be concerned to do? Could communication geography benefit from the sorts of conjunctural analysis that have been developed in contemporary cultural studies? Might a further way forward be to imagine an interdisciplinary field of everyday-life studies, which would draw critically on non-representational theories of practice and movement? Readers of Communications/Media/Geographies are invited to join the debate, thinking through such questions for themselves, and the themes that are explored in this book (for example, of space, place, meaning, power, and ethics) will be of interest not only to academics in human geography and in media and communication studies, but also to a wider range of scholars from across the humanities and social sciences.

This book explores the geographical dimensions and implications of the post-truth era. Opening with a defense of the Enlightenment and the continued significance of science, objectivity, and truth, it then provides three key perspectives on the concept: The first is a philosophical analysis of post-truth. Social theory in various forms has sutured knowledge and power, in the process relativizing the nature of truth. This process reaches its apogee under post-modernism, which questions the very nature of truth itself. The second is the examination of the historical origins and development of the post-truth world. While post-truth has a history that can be traced back to the 18th and 19th centuries, more recently it has growth prolifically through the use of social media. The book examines post-truth as it appears in the yellow journalism of the Hearst newspapers, Holocaust denial, and contemporary attacks on science itself (e.g., the anti-vaccine movement, denial of evolution). Post-truth becomes a central issue in Western politics following Brexit and the election of Donald Trump, who uses it frequently to advance a reactionary political agenda. Russian hackers weaponize it to interfere in the politics of Europe and the U.S. Fox News and other right-wing outlets also play a central role. One result is the proliferation of unfounded conspiracy theories such as QAnon. Today, autocrats and dictators the world over use fake news to maintain their power. Finally, this book links the rise of a post-truth society to the dynamics of contemporary economic geography. Knowledge-intensive capitalism has greatly elevated the significance of symbolic workers or the creative class. Geographically, contemporary capitalism has accentuated the agglomeration of producer services in large urban areas in which such workers labor. Conversely, rural areas and small towns have largely become repositories of the undereducated, and thus are more susceptible to fake news.

Transmedia Character Studies provides a range of methodological tools and foundational vocabulary for the analysis of characters across and between various forms of multimodal, interactive, and even non-narrative or non-fictional media. This highly innovative work offers new perspectives on how to interrelate production discourses, media texts, and reception discourses, and how to select a suitable research corpus for the discussion of characters whose serial appearances stretch across years, decades, or even centuries. Each chapter starts from a different notion of how fictional characters can be considered, tracing character theories and models to approach character representations from perspectives developed in various disciplines and fields. This book will enable graduate students and scholars of transmedia studies, film, television, comics studies, video game studies, popular culture studies, fandom studies, narratology, and creative industries to conduct comprehensive, media-conscious analyses of characters across a variety of media.