This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don’t Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations may have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies.

This is a holistic study of the intersecting and overlapping discourses that shape transgender identities. The author offers an examination of mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification. From the relationship between transmasculinity's emancipatory potential and its simultaneously homogenizing implications, to issues of gender-queerness, sexual minorities, normativity, and fatherhood, this book synthesizes these disparate areas of academic study in the context of digital constructions of the transmasculine self.--

Due to the increase in transgender characters in scripted television and film in the 2010s, trans visibility has been presented as a relatively new phenomenon that has positively shifted the cis society’s acceptance of the trans community. This book counters this claim to assert that such representations actually present limited and harmful characterizations, as they have for decades. To do so, this book analyzes transgender narratives in scripted visual media from the 1960s to 2010s across a variety of genres, including independent and mainstream films and television dramatic series and sitcoms, judging not the veracity of such representations per se but dissecting their transphobia as a constant despite relevant shifts that have improved their veracity and variety. Already ingrained with their own ideological expectations, genres shift the framing of the trans character, particularly the relevance of their gender difference for cisgender characters and society. The popularity of trans characters within certain genres also provides a historical lineage that is examined against the progression of transgender rights activism and corresponding transphobic falsehoods, concluding that this popular medium continues to offer a limited and narrow conception of gender, the variability of the transgender experience, and the range of transgender identities.

Ben, Parker, Lucas, Nadia are four patients of Florida's Dr. Charles Garramonepreparing to receive surgery to masculinize their chests on the same day. In the following years, they, along with more than a hundred others across the country, opened up to the award-winning professor of gender and sexuality Arlene Stein about how they conceive of their identities and sexuality, how they decided to transition, how they were received by their families and communities, and the joys and challenges they continue to face after transitioning. Weaving together the history of the transgender movement and the personal journeys of these transgender individuals, Stein sheds light on how transgender men tell their stories, make sense of their lives, and build communities in the face of skepticism, confusion, ignorance, and, often, violence. Because despite any progress we've made as a culture in accepting alternative identities, Ben and the others Stein meets continue to live in a world that is dangerous to them. In this moving, raw, intimate book about the lives of transgender men, Stein reveals how transgender men as a group, largely invisible in previous decades, today exert a significant impact on business, medicine, culture, and have drastically reshaped how we as a nation conceive of gender, sex, and identity. In so doing, Stein has also created an essential resource on female to male transitioning- for parents, educators, friends, and those who question their identities and seek further information.

The SAGE Encyclopedia of LGBTQ Studies, 2nd Edition will be a broad, interdisciplinary product aimed at students and educators interested in an interdisciplinary perspective on LGBTQ issues. This far-reaching and contemporary set of volumes is meant to examine and provide understandings of the lives and experiences of LGBTQ individuals, with attention to the contexts and forces that shape their world. The volume will address questions such as: What are the key theories used to understand variations in sexual orientation and gender identity? How do LGBTQ+ people experience the transition to parenthood? How does sexual orientation intersect with other key social locations (e.g., race) to shape experience and identity? What does LGBTQ+ affirmative therapy look like? How have anti-LGBTQ ballot measures affected LGBTQ people? What are LGBTQ+ people’s experiences during COVID-19? How were LGBTQ+ people impacted by the Trump administration? What is life like for LGBTQ+ people living outside the United States? This encyclopedia will be a unique product on the market: a reference work that looks at LGBTQ issues and identity primarily through the lenses of psychology, human development, and sociology, and emphasizing queer, feminist, and ecological perspectives on this topic. Entries will be written by top researchers and clinicians across multiple fields—psychology, human development, gender/queer studies, sexuality studies, social work, nursing, cultural studies, education, family studies, medicine, public health, and sociology—contributing to approximately 450-500 signed entries. All entries will include cross-references and Further Readings.

This thoughtful and sophisticated book views Gertrude Stein's life and writings through the lens of transgender theory. Reframing earlier scholarship that falsely assumes that Stein's masculinity was a misogynist manifestation of self-hatred, Chris Coffman argues that her gender was transmasculine and affirms her masculinity as a vital force in her life and work. This book uses Stein's writings - and others' literary and visual texts about her - to illuminate the ways her transmasculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and through her masculine homosocial bonds with modernist figures such as Jane Heap, Pablo Picasso, Ernest Hemingway and Carl Van Vechten.

Female-to-male transgender people, or transmasculine people as they are called, are just beginning to form their networks in India. But their struggles are not visible to a gender-normative society that barely notices, much less acknowledges, them. While transwomen have gained recognition through the extraordinary efforts of activists and feminists, the brotherhood, as the transmasculine network often refers to itself, remains imponderable, diminished even within the transgender community. For all intents and purposes, they do not exist. In a country in which parents wish their daughters were sons, they exile the daughters who do become sons. In this remarkable, intimate book, Nandini Krishnan burrows deep into the prejudices encountered by India's transmen, the complexities of hormonal transitions and sex reassignment surgery, issues of social and family estrangement, and whether socioeconomic privilege makes a difference. With frank, poignant, often idiosyncratic interviews that braid the personal with the political, the informative with the offhand, she makes a powerful case for inclusivity and a non-binary approach to gender. Above all, she asks the question: what does manhood really mean?