Translations of French Sentimental Prose Fiction in Late Eighteenth-century England
Title | Translations of French Sentimental Prose Fiction in Late Eighteenth-century England PDF eBook |
Author | Josephine Grieder |
Publisher | Durham, N.C. : Duke University Press |
Pages | 160 |
Release | 1975 |
Genre | Literary Collections |
ISBN |
The Sentimental Novel in the Eighteenth Century
Title | The Sentimental Novel in the Eighteenth Century PDF eBook |
Author | Albert J. Rivero |
Publisher | Cambridge University Press |
Pages | 259 |
Release | 2019-03-21 |
Genre | Literary Criticism |
ISBN | 1108418929 |
Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.
Translations of French Sentimental Prose Fiction in Late Eighteenth-century England
Title | Translations of French Sentimental Prose Fiction in Late Eighteenth-century England PDF eBook |
Author | Josephine Grieder |
Publisher | Durham, N.C. : Duke University Press |
Pages | 162 |
Release | 1975 |
Genre | Literary Collections |
ISBN |
Inchbald, Hawthorne and the Romantic Moral Romance
Title | Inchbald, Hawthorne and the Romantic Moral Romance PDF eBook |
Author | Ben P Robertson |
Publisher | Routledge |
Pages | 342 |
Release | 2015-10-06 |
Genre | Literary Criticism |
ISBN | 1317316207 |
Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.
Sentimental Figures of Empire in Eighteenth-Century Britain and France
Title | Sentimental Figures of Empire in Eighteenth-Century Britain and France PDF eBook |
Author | Lynn Festa |
Publisher | JHU Press |
Pages | 311 |
Release | 2006-10-15 |
Genre | Literary Criticism |
ISBN | 0801889340 |
In this ambitious and original study, Lynn Festa examines how and why sentimental fiction became one of the primary ways of representing British and French relations with colonial populations in the eighteenth century. Drawing from novels, poetry, travel narratives, commerce manuals, and philosophical writings, Festa shows how sentimentality shaped communal and personal assertions of identity in an age of empire. Read in isolation, sentimental texts can be made to tell a simple story about the emergence of the modern psychological self. Placed in conversation with empire, however, sentimentality invites both psychological and cultural readings of the encounter between self and other. Sentimental texts, Festa claims, enabled readers to create powerful imagined relations to distant people. Yet these emotional bonds simultaneously threatened the boundaries between self and other, civilized and savage, colonizer and colonized. Festa argues that sentimental tropes and figures allowed readers to feel for others, while maintaining the particularity of the individual self. Sentimental identification thus operated as a form of differentiation as well as consolidation. Festa contends that global reach increasingly outstripped imaginative grasp during this era. Sentimentality became an important tool for writers on empire, allowing conquest to be portrayed as commerce and scenes of violence and exploitation to be converted into displays of benevolence and pity. Above all, sentimental texts used emotion as an important form of social and cultural distinction, as the attribution of sentience and feeling helped to define who would be recognized as human.
The Novel, Volume 1
Title | The Novel, Volume 1 PDF eBook |
Author | Franco Moretti |
Publisher | Princeton University Press |
Pages | 926 |
Release | 2022-04-12 |
Genre | Literary Criticism |
ISBN | 0691243751 |
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 1: History, Geography, and Culture, looks at the novel mostly from the outside, treating the transition from oral to written storytelling and the rise of narrative and fictionality, and covering the ancient Greek novel, the novel in premodern China, the early Spanish novel, and much else, including readings of novels from around the world. These books will be essential reading for all students and scholars of literature.
Eighteenth-Century Literary Affections
Title | Eighteenth-Century Literary Affections PDF eBook |
Author | Louise Joy |
Publisher | Springer Nature |
Pages | 218 |
Release | 2020-07-29 |
Genre | Literary Criticism |
ISBN | 3030460088 |
This book assesses the mediating role played by 'affections' in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form. It examines the formulation and idealization of this affective category in works by Isaac Watts, Lord Shaftesbury, Mary Hays, William Godwin, Helen Maria Williams, and William Wordsworth. Part I outlines how affections are invested with utopian potential in theology, moral philosophy, and criticism, re-imagining what it might mean to know emotion. Part II considers attempts of writers at the end of the period to draw affections into literature as a means of negotiating a middle way between realism and idealism, expressivism and didacticism, particularity and abstraction, subjectivity and objectivity, femininity and masculinity, radicalism and conservatism, and the foreign and the domestic.