Lefevere explores how the process of rewriting works of literature manipulates them to ideological and artistic ends, so that the rewritten text can be given a new, sometimes subversive, historical or literary status.

One of the first books to shine a light on the broad scope of translation studies, this Routledge Translation Classic is widely regarded as a pillar of the discipline. Authored by one of the most infl uential translation theorists of the twentieth century, Translation, Rewriting, and the Manipulation of Literary Fame shows how rewriting – translation, anthologization, historiography, criticism, editing – infl uences the reception and canonization of works of literature. Firmly placing the production and reception of literature within the wider framework of a culture and its history, André Lefevere explores how rewriting manipulates works of literature to ideological and artistic ends, and demonstrates how rewriting a text can give it a new, sometimes subversive, historical or literary status. Ranging across various literatures, including Classical Latin, French, and German, and here reissued with a new foreword by Scott G. Williams, this is a seminal text for all students and specialists in translation studies, literary theory, and comparative and world literature.

Lefevere explores how the process of rewriting works of literature manipulates them to ideological and artistic ends, so that the rewritten text can be given a new, sometimes subversive, historical or literary status.

An investigation into the state of translation studies which looks ahead at the direction in which the author sees the field moving. Included are reviews of the work of translation theorists. A volume in a series which aims to present a broad spectrum of thinking on translation.

Presents the most important statements on the translation of literature from Roman times to the 1920s. Topics covered: power, poetics, universe of of discourse, language, education. It contains many texts previously unavailable in English.

Literary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular “originals”; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.