The first study of the translations of Andy Warhol's writing and ideas, Translating Warhol reveals how translation has alternately censored, exposed, or otherwise affected the presentation of his political and social positions and attitudes and, in turn, the value we place on his art and person. Andy Warhol is one of the most influential artists of the 20th century, and a vast global literature about Warhol and his work exists. Yet almost nothing has been written about the role of translations of his words in his international reputation. Translating Warhol fills this gap, developing the topic in multiple directions and in the context of the reception of Warhol's work in various countries. The numerous translations of Warhol's writings, words, and ideas offer a fertile case study of how American art was, and is, viewed from the outside. Both historical and theoretical aspects of translation are taken up, and individual chapters discuss French, German, Italian, and Swedish translations, Warhol's translations of his mother's native Rusyn language and culture, the Indian artist Bhupen Khakhar's performative translations of Warhol, and Warhol as translated for documentary television. Translating Warhol offers a fascinating multi-faceted perspective on Warhol, contributing to our understanding of his place in history as well as to translation theory and inter-cultural exchange.

The first study of the translations of Andy Warhol's writing and ideas, Translating Warhol reveals how translation has alternately censored, exposed, or otherwise affected the presentation of his political and social positions and attitudes and, in turn, the value we place on his art and person. Andy Warhol is one of the most influential artists of the 20th century, and a vast global literature about Warhol and his work exists. Yet almost nothing has been written about the role of translations of his words in his international reputation. Translating Warhol fills this gap, developing the topic in multiple directions and in the context of the reception of Warhol's work in various countries. The numerous translations of Warhol's writings, words, and ideas offer a fertile case study of how American art was, and is, viewed from the outside. Both historical and theoretical aspects of translation are taken up, and individual chapters discuss French, German, Italian, and Swedish translations, Warhol's translations of his mother's native Rusyn language and culture, the Indian artist Bhupen Khakhar's performative translations of Warhol, and Warhol as translated for documentary television. Translating Warhol offers a fascinating multi-faceted perspective on Warhol, contributing to our understanding of his place in history as well as to translation theory and inter-cultural exchange.

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.

Andy, Andy everywhere. Twenty-three years after his death, few figures hover over New York City—its art, its street life, its commerce, its creativity, its nightlife, its myths, and its idea of itself—like Andy Warhol. Andy Warhol’s New York City provides a panoramic view of the artist’s life there from the fifties through the eighties. Eighty sites associated with the artist careen delightfully from coffee shops to museums, from disco clubs to churches, with dozens of glamorous and gritty places in between. Fashionistas will love reading about the rare pretzel-print dress Warhol designed (now in the Metropolitan Museum of Art) and seeing him looking like a character out of Mad Men as he’s photographed on the steps of the Met; cineastes will be riveted to the behind-the-scenes stories of his films; art lovers will appreciate the comprehensive listing of his many shows; and New York City history buffs will savor glimpses of the city’s icons—vanished (Schrafft’s), current (Serendipity 3), and never-realized (the Andy-Mat). There are sidebars on Warhol’s residences, favorite restaurants, and factories. Brief biographies of figures in the book familiarize the reader with the revolving cast of glittering characters that enter and leave the stage as Warhol’s story unfolds. Nine original drawings in the book were made specially for Andy Warhol’s New York City by the artist Vito Giallo, a former studio assistant of Warhol’s who executed hundreds of Warhol’s ink blot drawings, and who later owned the antique store where Warhol bought thousands of items that were posthumously auctioned at Sotheby’s.

The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.

A unique 360‐degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928-1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production--from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.

Billed as the first book to examine Warhol's use of photography as inspiration, artistic resource, and documentary means, this book features contributions from a variety of authors, including Callie Angel, Hubertus Butin, Mark Francis, and Margery King. 300 duotone and 110 color plates.