"Translating Ireland explores centuries of translation activity during which the languages, cultures and literatures of Ireland have been affected by the work of Irish translators in Ireland and elsewhere. Translation in Ireland has functioned as a weapon of political propaganda, an agent of linguistic reform, and a catalyst for cultural renewal and yet the activity of translators during often controversial circumstances has remained unacknowledged." "In this pioneering study Michael Cronin examines the widespread translation activity in Ireland in the Middle Ages and argues for a re-evaluation of the work of translators from that period. He then examines the central role of translation in the political and cultural upheaval of the sixteenth and seventeenth centuries, particularly the theoretical responses of translators to changing political conditions. Antiquarianism, the Celtic Revival and emergent nationalism in the nineteenth century are all bound up with the act of translation and Translating Ireland analyses the tensions and competing cultural allegiances of translators in the eighteenth and nineteenth centuries. Literary revival in both English and Irish looked to translation as a source of a creative energy and the new state saw translation as both necessary and desirable. There is an analysis of the fortunes of translation in Ireland in the twentieth century, both as pragmatic activity in an officially bilingual state and as a way of opening the languages and literatures of Ireland to the literatures and cultural experiences of other peoples." "Translating Ireland examines what happens in the contact zone between languages and how translation affects both the development of language and literature and the construction of identity. In a country that has witnessed radical changes in language use over the centuries, translation has become an important element in political, linguistic and cultural self-knowledge."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This book provides an in-depth study of translation and translators in nineteenth-century Ireland, using translation history to widen our understanding of cultural exchange in the period. It paints a new picture of a transnational Ireland in contact with Europe, offering fresh perspectives on the historical, political and cultural debates of the era. Employing contemporary translation theories and applying them to Ireland’s socio-historical past, the author offers novel insights on a large range of disciplines relating to the country, such as religion, gender, authorship and nationalism. She maps out new ways of understanding the impact of translation in society and re-examines assumptions about the place of language and Europe in nineteenth-century Ireland. By focusing on a period of significant linguistic and societal change, she questions the creative, conflictual and hegemonic energies unleashed by translations. This book will therefore be of interest to those working in Translation Studies, Irish Studies, History, Comparative Literature and Cultural Studies.

This ground-breaking analysis of the cultural trajectory of England's first colony constitutes a major contribution to postcolonial studies, offering a template relevant to most cultures emerging from colonialism. At the same time, these Irish case studies become the means of interrogating contemporary theories of translation. Moving authoritatively between literary theory and linguistics, philosophy and cultural studies, anthropology and systems theory, the author provides a model for a much needed integrated approach to translation theory and practice. In the process, the work of a number of important literary translators is scrutinized, including such eminent and disparate figures as Standishn O'Grady, Augusta Gregory and Thomas Kinsella. The interdependence of the Irish translation movement and the work of the great 20th century writers of Ireland - including Yeats and Joyce - becomes clear, expressed for example in the symbiotic relationship that marks their approach to Irish formalism. Translation in a Postcolonial Context is essential reading for anyone interested in translation theory and practice, postcolonial studies, and Irish literature during the 19th and 20th centuries.

In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.

Translating Catechisms, Translating Cultures explores the dimensions of early modern transcultural Christianities; the leeway of religious negotiation in and outside of Europe by comparing catechisms and their translation in the context of several Jesuit missionary strategies. The volume challenges the often assumed paramount Europeanness of Western Christianity. In the early modern period the idea of Tridentine Catholicism was translated into many different regions where it was appropriated and adopted to local conditions. Missionary work always entails translation, linguistic as well as cultural, which results in a modification of the content. Catechisms were central instruments to communicate Christian belief and, therefore, they are central media for all kinds of translation processes. The comparative approach (including China, India, Japan, Ethiopia, Northern America and England) enables the evaluation of different factors like power relations, social differentiation, cultural patterns, gender roles etc. Contributors are: Takao Abé, Anand Amaladass, Leonhard Cohen, Renate Dürr, Antje Flüchter, Ana Hosne, Giulia Nardini, John Ødemark, John Steckley, Alexandra Walsham, Rouven Wirbser.

The various dimensions of translation studies, too often studied independently, are here brought into conversation: Translation practice, including the various crafts employed by its practitioners; the specialized contexts in which translation occurs or against which translation can be considered; and the ethico-political consequences of translations or the manner of their making. Including exciting new work from leading translation theorists, practicing literary translators, and prominent thinkers from adjoining disciplines such as psychoanalysis and neuroscience, the essays gathered here demonstrate many rich areas of overlap, with translation pedagogy, the fundamental nature of translation, the translator's creativity, retranslation, canon formation, and the geopolitical stakes of literary translation among them.

Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.